On November 22, 1963, three shots rang out in Dallas, President Kennedy died, and the world changed.What if you could change it back?Stephen King's heart-stoppingly dramatic new novel is about a man who travels back in time to prevent the JFK assassination—a thousand page tour de force.Following his massively successful novel Under the Dome, King sweeps readers back in time to another moment—a real life moment—when everything went wrong: the JFK assassination. And he introduces readers to a character who has the power to change the course of history.Jake Epping is a thirty-five-year-old high school English teacher in Lisbon Falls, Maine, who makes extra money teaching adults in the GED program. He receives an essay from one of the students—a gruesome, harrowing first person story about the night 50 years ago when Harry Dunning's father came home and killed his mother, his sister, and his brother with a hammer. Harry escaped with a smashed leg, as evidenced by his crooked walk.Not much later, Jake's friend Al, who runs the local diner, divulges a secret: his storeroom is a portal to 1958. He enlists Jake on an insane—and insanely possible—mission to try to prevent the Kennedy assassination. So begins Jake's new life as George Amberson and his new world of Elvis and JFK, of big American cars and sock hops, of a troubled loner named Lee Harvey Oswald and a beautiful high school librarian named Sadie Dunhill, who becomes the love of Jake's life—a life that transgresses all the normal rules of time.A tribute to a simpler era and a devastating exercise in escalating suspense, 11/22/63 is Stephen King at his epic best.
For Zelda
Hey, honey, welcome to the party.
It is virtually not assimilable to our reason that a small lonely man felled a giant in the midst of his limousines, his legions, his throng, and his security. If such a nonentity destroyed the leader of the most powerful nation on earth, then a world of disproportion engulfs us, and we live in a universe that is absurd.
If there is love, smallpox scars are as pretty as dimples.
Dancing is life.
I have never been what you’d call a crying man.
My ex-wife said that my “nonexistent emotional gradient” was the main reason she was leaving me (as if the guy she met in her AA meetings was beside the point). Christy said she supposed she could forgive me not crying at her father’s funeral; I had only known him for six years and couldn’t understand what a wonderful, giving man he had been (a Mustang convertible as a high school graduation present, for instance). But then, when I didn’t cry at my own parents’ funerals — they died just two years apart, Dad of stomach cancer and Mom of a thunderclap heart attack while walking on a Florida beach — she began to understand the nonexistent gradient thing. I was “unable to feel my feelings,” in AA-speak.
“I have
I didn’t cry when I saw her off. I didn’t cry when I went back inside the little house with the great big mortgage, either. The house where no baby had come, or now ever would. I just lay down on the bed that now belonged to me alone, and put my arm over my eyes, and mourned.
Tearlessly.
But I’m not emotionally blocked. Christy was wrong about that. One day when I was nine, my mother met me at the door when I came home from school. She told me my collie, Rags, had been struck and killed by a truck that hadn’t even bothered to stop. I didn’t cry when we buried him, although my dad told me nobody would think less of me if I did, but I cried when she told me. Partly because it was my first experience of death; mostly because it had been my responsibility to make sure he was safely penned up in our backyard.
And I cried when Mom’s doctor called me and told me what had happened that day on the beach. “I’m sorry, but there was no chance,” he said. “Sometimes it’s very sudden, and doctors tend to see that as a blessing.”
Christy wasn’t there — she had to stay late at school that day and meet with a mother who had questions about her son’s last report card — but I cried, all right. I went into our little laundry room and took a dirty sheet out of the basket and cried into that. Not for long, but the tears came. I could have told her about them later, but I didn’t see the point, partly because she would have thought I was pity-fishing (that’s not an AA term, but maybe it should be), and partly because I don’t think the ability to bust out bawling pretty much on cue should be a requirement for successful marriage.
I never saw my dad cry at all, now that I think about it; at his most emotional, he might fetch a heavy sigh or grunt out a few reluctant chuckles — no breast-beating or belly-laughs for William Epping. He was the strong silent type, and for the most part, my mother was the same. So maybe the not-crying-easily thing is genetic. But blocked? Unable to feel my feelings? No, I have never been those things.
Other than when I got the news about Mom, I can only remember one other time when I cried as an adult, and that was when I read the story of the janitor’s father. I was sitting alone in the teachers’ room at Lisbon High School, working my way through a stack of themes that my Adult English class had written. Down the hall I could hear the thud of basketballs, the blare of the time-out horn, and the shouts of the crowd as the sports-beasts fought: Lisbon Greyhounds versus Jay Tigers.
Who can know when life hangs in the balance, or why?
