Third in the intriguing Leonardo da Vinci mystery series known for "capturing the essence of 15th-century Milan ".As court engineer to the Duke of Milan, Leonardo da Vinci turns his superior mind to many pursuits – from outlandish contraptions to the odd murder…With war looming ever closer, the iron-fisted Duke of Milan calls upon Master da Vinci to invent the deadliest weapon ever – a flying machine. So da Vinci calls in a craftsman who happens to be father to his star apprentice, Dino.But da Vinci does not know that Dino is actually the craftsman's daughter, Delfina, who keeps her gender a secret to serve as apprentice. But as Delfina worries that her father will prove her undoing, someone murders another apprentice. Now, as her master works his brilliance, Delfina can only pray that no other apprentice – including herself – will fall victim.
The third book in the Leonardo Da Vinci Mystery series, 2010
This book is in loving memory of Gene Smart.
I still miss you, Dad.
Special thanks to the many readers who have written to tell me that they have enjoyed Delfina and Leonardo’s adventures. Your kind words are cherished!
Warm thanks also goes to my family and friends, who have always cheered on my work. I dearly appreciate your support over the years.
Thanks to my editors, Natalee Rosenstein and Michelle Vega, who have added so much to these books.
And, as always, hugs and kisses to Gerry, who regularly suffers through missed weekends and holidays without complaint while his wife pounds away at the keyboard trying to meet her deadline. Sorry about that, Chief!
Wrongfully do men lament the flight of time…
– Leonardo da Vinci, Codex Atlanticus
DUCHY OF MILAN, SPRING 1484
Bright brown eyes peered over the edge of my notebook, the unexpected sight distracting me from the portrait in which I had been engrossed. I had not anticipated company; indeed, I had chosen a secluded spot in which to work so that I might pass the day undisturbed. And thus I was settled in a sunny patch of grass in a far corner of the great fortress that was home to the iron-fisted Ludovico Sforza, Duke of Milan. Away from the bustling parade grounds and paved courtyards, and far from the main castle itself, I’d thought myself quite alone here beside this low stone wall.
But apparently I was not.
Attempting to discourage further interruption, I frowned at the interloper. Undeterred, he widened his gentle cinnamon orbs in soulful appeal. My next tactic was to ignore his presence, but that reaction merely drew a small snuffle from him. In the end-as he had doubtless foreseen-I found myself unable to resist such blatant supplication. And so I allowed my stern expression to soften as I tucked my piece of black chalk into the book as a marker before addressing him.
“Hello, Pio. How ever did you find me here, and why are you intent on disturbing my work this fine morning?”
The small black-and-white hound cocked his narrow head, his rose petal-like ears unfurling as if considering the question. Then, with a happy bark, he leaped into my lap and dislodged the notebook so that it tumbled to the ground.
“Fear not, Dino. Pio is not trying to disturb you,” a reproachful voice spoke as I attempted to fend off the small beast’s enthusiastic licking of my face. “He just wants to know why you are angry at us. He wonders why you have been avoiding us for the past few days.”
I glanced up to see my friend and fellow apprentice Vittorio standing before me. Like me, he was dressed in the simple brown tunic over green trunk hose that designated him an apprentice painter in the workshop of the duke’s court artist. To enliven that simple garb, he had braided narrow leather strips into an elaborate belt from which he’d hung his purse. He reached into that small bag now and pulled forth a crumb of pungent cheese.
“I’ve not avoided you,” I protested while he waved the treat in Pio’s direction. “Did we not spend all of yesterday plastering a wall for fresco together? And the day before, I showed you how to tie the small weasel-hair brushes that the Master prefers for his oils.”
“But that is different,” the boy countered as Pio bounded from my lap and began an eager dance upon his hind legs. “All of the apprentices helped with the plastering, and you showed Philippe and Bernardo how to tie those brushes, too. But when I tried to seek you out after supper each of those days, you were nowhere to be found. And I am certain that this morning, before you ran off alone with your notebook, you pretended not to hear me calling you.”
The offended set to his mouth was a stark contrast to his habitual expression of mischievous glee and made him look older than his sixteen years. Even Pio’s clownish behavior for once did not bring a smile to his face. Instead, his glum expression as he laid forth his list of my perceived transgressions quite reflected my own unsettled mood.
Strange that we both should be downtrodden, I told myself, given the special circumstances of this particular day. Being that it was Sunday, we would have enjoyed a few hours of freedom after our obligatory appearance at Mass before returning to our usual duties in the afternoon. But the Master found himself with pressing business outside the castle and had announced an entire day’s holiday for his apprentices.
