Nicholas had already scored the first victory in having the deputies come to him, not he to the Duma, for the opening ceremony. Indeed it was not until February 1916, in the midst of a grave political crisis, that the Tsar finally deigned to make an appearance in the Tauride Palace, the seat of the Duma. And as if to underline this royal supremacy, the Coronation Hall of the Winter Palace was sumptuously furnished to greet the parliamentary deputies. The throne was draped in ermine with the crown, the sceptre, the seal and the orb placed at its feet on four little camp-stools. The miraculous icon of Christ was placed, like a holy protector, before it, and solemnly guarded by a retinue of high priests. The deep basses of the choir, dressed in cassocks of crimson and gold, sang verse after verse of ‘God Save the Tsar’, as if on purpose to keep the congregation standing, until, at the height of the fanfare’s crescendo, the royal procession arrived.

On one side of the hall stood the great and the good of autocratic Russia: state councillors, senators, ministers, admirals, generals and members of the court, all of them turned out in their brilliant dress uniforms dripping with medals and golden braid. Facing them were the parliamentary leaders of the new democratic Russia, a motley collection of peasants in cotton shirts and tunics, professional men in lounge suits, monks and priests in black, Ukrainians, Poles, Tatars and others in colourful national costumes, and a small number of nobles in evening dress. ‘The two hostile sides stood confronting each other’, recalled Obolensky. ‘The old and grey court dignitaries, keepers of etiquette and tradition, looked across in a haughty manner, though not without fear and confusion, at the “people off the street”, whom the revolution had swept into the palace, and quietly whispered to one another. The other side looked across at them with no less disdain or contempt.’ One of the socialist deputies, a tall man in a worker’s blouse, scrutinized the throne and the courtiers around it with obvious disgust. As the Tsar and his entourage entered the hall, he lurched forward and stared at them with an anguished expression of hatred. For a moment it was feared that he might throw a bomb.

The court side of the hall resounded with orchestrated cheers as the Tsar approached the throne. But the Duma deputies remained completely silent. ‘It was’, Obolensky recalled, ‘a natural expression of our feelings towards the monarch, who in the twelve years of his reign had managed to destroy all the prestige enjoyed by his predecessors.’ The feeling was mutual: not once did the Tsar glance towards the Duma side of the hall. Sitting on his throne he delivered a short and perfunctory speech in which he promised to uphold the principles of autocracy ‘with unwavering firmness’ and, in a tone of obvious insincerity, greeted the Duma deputies as ‘the best people’ of his Empire. With that, he got up to leave. The parliamentary era had begun. As the royal procession filed out of the hall, tears could be seen on the face of the Tsar’s mother, the Dowager Empress. It had been a ‘terrible ceremony’, she later confided to the Minister of Finance. For several days she had been unable to calm herself from the shock of seeing so many commoners inside the palace. ‘They looked at us as upon their enemies and I could not stop myself from looking at certain faces, so much did they seem to reflect a strange hatred for us all.’1

This ceremonial confrontation was only a foretaste of the war to come. The whole period of Russian political history between the two revolutions of 1905 and February 1917 could be characterized as a battle between the royalist and parliamentary forces. To begin with, when the country was still emerging from the revolutionary crisis, the court was forced to concede ground to the Duma. But as the memory of 1905 passed, it tried to roll back its powers and restore the old autocracy.

The constitutional reforms of 1905–6 were ambiguous enough to give both sides grounds for hope. Nicholas had never accepted the October Manifesto as a necessary limitation upon his own autocratic prerogatives. He had reluctantly granted the Manifesto under pressure from Witte in order to save his throne. But at no time had he sworn to act upon it as a ‘constitution’ (the crucial word had nowhere been mentioned) and therefore, at least in his own mind, his coronation oath to uphold the principles of autocracy remained in force. The Tsar’s sovereignty was in his view still handed to him directly from God. The mystical basis of the Tsar’s power — which put it beyond any challenge — remained intact. There was nothing in the new Fundamental Laws (passed in April 1906) to suggest that from now on the Tsar’s authority should be deemed to derive from the people, as in Western constitutional theories.

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