Now there is no doubt that the peasant immigrants added a volatile and often belligerent element to the urban working class. Labour unrest during the early decades of industrialization tended to take the form of spontaneous outbreaks of violence, such as riots, pogroms, looting and machine-breaking, the sort of actions one might expect from an uprooted but disorganized peasant mass struggling to adapt to the new world of the city and the discipline of the factory. Some of these ‘pre-industrial’ forms of violence became permanent features of the landscape of labour unrest. A good example is the common workers’ practice during strikes and demonstrations of ‘carting out’ their factory boss or foreman in a wheelbarrow and dumping him in a cesspool or a canal. Nevertheless, it is going too far to suggest that such ‘primitive’ forms of industrial protest, or the raw recruits behind them, were the crucial factor in the rise of labour militancy.49 During the 1890s strikes became the principal form of industrial protest and they required the sort of disciplined organization that only the most urbanized workers, with their higher levels of skills and literacy, could provide. In this context, the peasant immigrants were unlikely to play a leading role. Indeed, they were often reluctant to join strikes at all. With a piece of land in the village, to which they could return when times got hard, they had less inclination to take the risks which a strike entailed, compared with those workers who had broken their ties with the village and depended exclusively on their factory wage. The latter stood at the forefront of the labour movement.
Here Russia stood in stark contrast to Europe, where the most skilled and literate workers tended to be the least revolutionary and were being integrated into the wider democratic movement. There were few signs of such a moderate ‘labour aristocracy’ emerging in Russia. The print workers, with their high rates of pay and their close ties with the intelligentsia, were the most likely candidates for such a role. Yet even they stood firmly behind the Marxist and Social Revolutionary parties. Had they been able to develop their own legal trade unions, then these workers might have made enough gains from the status quo not to demand its overthrow. They might then have gone down the path of moderate reform taken by the European labour movements. But the Russian political situation naturally pushed them towards extremes. Unable to develop their own independent organizations, they were forced to rely upon the leadership of the revolutionary underground. To a large extent, then, the workers’ revolutionary movement was created by the tsarist regime.
Militancy is nothing if not a set of attitudes and emotions. And as Kanatchikov’s story illustrates, the roots of the workers’ militancy were essentially psychological. His personality changed as he adapted himself to the lifestyle of the city and acquired new skills. Mastering the precision techniques of the pattern-makers, the élite machine-construction workers who drafted and moulded the metal parts, gave him confidence in his own powers. It also paid him more money, which gave him a greater sense of his own worth. Learning to read and talking to the other workers exposed him to the secular modes of thought and new ‘scientific’ theories, such as Darwinism and Marxism, which weakened his belief in religion. In other ways, too, the young Kanatchikov was struggling to break free from the influence of the village. He was repelled by the ‘hooliganism’ of his co-inhabitants in the artel’, by their heavy drinking, their fighting and their rough peasant manners. He moved into a room on his own, swore a solemn oath never to drink anything stronger than tea, and set out on a rigorous course of self-improvement to wipe out all traces of his humble peasant roots. He sought to make a new image for himself, to emulate ‘those young urban metalworkers’, as he put it, ‘who earned an independent living and didn’t ruin themselves with vodka’. He saved up to get his hair cut in the Polish style and to buy a stylish jacket with mother-of-pearl buttons, and a cap with a velvet band, such as the labour aristocrats wore. He bought a suit, with a watch for the waistcoat pocket, a straw hat and a pair of fancy shoes, for Sundays. For fifteen kopecks, he even bought a Self-Teacher of Dance and Good Manners, which warned him not to wipe his nose with his napkin and told him how to eat such delicacies as artichoke and asparagus, although, as he later admitted, he ‘did not even know if these things belonged to the animal, vegetable, or mineral world’.50