In fact, conditions in the prison were not as bad as people believed. Compared with the conditions which the tyrannies of the twentieth century have provided for their victims, the fortress was like a comfortable hotel. Most of the inmates had access to food and tobacco, books and writing paper, and could receive letters from their relatives. The Bolshevik, Nikolai Bauman, was even allowed to read Marx’s Capital during his stay in the prison. Several classics of Russian literature were composed in the silence of its cells, including Dostoevsky’s story The Little Hero, Gorky’s play The Children of the Sun, and Chernyshevsky’s novel What Is To Be Done?, which became a seminal text of the revolutionary movement.fn1 The public image of the prison — crammed full to bursting point with tens of thousands of long-term inmates — could not have been further from the truth. There were never more than a hundred prisoners there at any time, and after 1908 never more than thirty. Few stayed more than a month or so before being transferred to provincial jails. In February 1917, when the fortress was finally taken by the crowd, the anti-climactic reality of liberating a mere nineteen prisoners (all of them mutinous soldiers imprisoned only the previous day) was not allowed to intrude on the revolutionaries’ mythic expectations. The event was portrayed as Freedom’s triumph over Despotism.
This reinvention of the fortress was a vital aspect of the revolutionaries’ demonology. If the tsarist regime was to be depicted as cruel and oppressive, secretive and arbitrary in its penal powers, then the fortress was a perfect symbol of those sins. During the latter half of the nineteenth century, as in reality it became more benign, its prison regime was described in the writings of its former inmates with increasingly exaggerated horror. There was a fashion for gothic prison memoirs during the last decades of the old regime, and these tales fed the public’s appetite for revolutionary martyrs. As Gorky put it, when once asked why he had refused to add his memoirs to the pile: ‘Every Russian who has ever sat in jail, if only for a month, as a “political”, or who has spent a year in exile, considers it his holy duty to bestow on Russia his memoirs of how he has suffered.’1
To its critics the Peter and Paul Fortress was a microcosm of the tsarist system. Russia, remarked the Marquis de Custine after visiting the fortress in the 1830s, is ‘in itself a prison; a prison whose vast size only makes it the more formidable’. The basic structure of the tsarist police state had been built up under Nicholas I after the Decembrist uprising of 1825, when a small coterie of liberal noblemen had conspired — as Pushkin put it, ‘between the claret and champagne’ — to impose a constitution on the monarchy after Alexander I’s death. Nicholas introduced sweeping laws — including a new code of censorship in 1826 that (uniquely in Europe at the time) obliged all printed matter to gain clearance from the censor before publication — to stamp out all political dissent. The Third Section, or secret police, established that year, had — and this was once again unique in Europe — the power to detain and even send into administrative exile in Siberia anyone suspected of ‘political crimes’. No other country in the world had two kinds of police — one to protect the interests of the state, the other to protect its people.
