The Apostolic Palace is a conglomeration of buildings located near the Sistine Chapel in the northeast corner of Vatican City. With a commanding view of St. Peter’s Square, the palace houses both the Papal Apartments and the Office of the Pope.
Vittoria and Langdon followed in silence as Commander Olivetti led them down a long rococo corridor, the muscles in his neck pulsing with rage. After climbing three sets of stairs, they entered a wide, dimly lit hallway.
Langdon could not believe the artwork on the walls—mint-condition busts, tapestries, friezes—works worth hundreds of thousands of dollars. Two-thirds of the way down the hall they passed an alabaster fountain. Olivetti turned left into an alcove and strode to one of the largest doors Langdon had ever seen.
"
"
When the door opened, Langdon had to shield his eyes. The sunlight was blinding. Slowly, the image before him came into focus.
The Office of the Pope seemed more of a ballroom than an office. Red marble floors sprawled out in all directions to walls adorned with vivid frescoes. A colossal chandelier hung overhead, beyond which a bank of arched windows offered a stunning panorama of the sun-drenched St. Peter’s Square.
At the far end of the hall, at a carved desk, a man sat writing furiously. "
Olivetti led the way, his gait military. "
The man cut him off. He stood and studied his two visitors.
The camerlegno was nothing like the images of frail, beatific old men Langdon usually imagined roaming the Vatican. He wore no rosary beads or pendants. No heavy robes. He was dressed instead in a simple black cassock that seemed to amplify the solidity of his substantial frame. He looked to be in his late-thirties, indeed a child by Vatican standards. He had a surprisingly handsome face, a swirl of coarse brown hair, and almost radiant green eyes that shone as if they were somehow fueled by the mysteries of the universe. As the man drew nearer, though, Langdon saw in his eyes a profound exhaustion—like a soul who had been through the toughest fifteen days of his life.
"I am Carlo Ventresca," he said, his English perfect. "The late Pope’s camerlegno." His voice was unpretentious and kind, with only the slightest hint of Italian inflection.
"Vittoria Vetra," she said, stepping forward and offering her hand. "Thank you for seeing us."
Olivetti twitched as the camerlegno shook Vittoria’s hand.
"This is Robert Langdon," Vittoria said. "A religious historian from Harvard University."
"
"No, no," the camerlegno insisted, lifting Langdon back up. "His Holiness’s office does not make me holy. I am merely a priest—a chamberlain serving in a time of need."
Langdon stood upright.
"Please," the camerlegno said, "everyone sit." He arranged some chairs around his desk. Langdon and Vittoria sat. Olivetti apparently preferred to stand.
The camerlegno seated himself at the desk, folded his hands, sighed, and eyed his visitors.
"Signore," Olivetti said. "The woman’s attire is my fault. I—"
"Her attire is
Olivetti stood rigid, his back arched like a soldier under intense inspection.
Langdon felt hypnotized by the camerlegno’s presence. Young and wearied as he was, the priest had the air of some mythical hero—radiating charisma and authority.
"Signore," Olivetti said, his tone apologetic but still unyielding. "You should not concern yourself with matters of security. You have other responsibilities."
"I am well aware of my other responsibilities. I am also aware that as
"I have the situation under control."
"Apparently not."
"Father," Langdon interrupted, taking out the crumpled fax and handing it to the camerlegno, "please."
Commander Olivetti stepped forward, trying to intervene. "Father, please do not trouble your thoughts with—"