The muted, yellow papyrus left no doubt in Langdon’s mind as to its age and authenticity, but excluding the inevitable fading, the document was in superb condition.
"Hand me a spatula, please." Langdon motioned beside Vittoria to a tray filled with stainless-steel archival tools. She handed it to him. Langdon took the tool in his hand. It was a good one. He ran his fingers across the face to remove any static charge and then, ever so carefully, slid the blade beneath the cover. Then, lifting the spatula, he turned over the cover sheet.
The first page was written in longhand, the tiny, stylized calligraphy almost impossible to read. Langdon immediately noticed that there were no diagrams or numbers on the page. It was an essay.
"Heliocentricity," Vittoria said, translating the heading on folio one. She scanned the text. "Looks like Galileo renouncing the geocentric model once and for all. Ancient Italian, though, so no promises on the translation."
"Forget it," Langdon said. "We’re looking for math. The pure language." He used the spatula tool to flip the next page. Another essay. No math or diagrams. Langdon’s hands began to sweat inside his gloves.
"Movement of the Planets," Vittoria said, translating the title.
Langdon frowned. On any other day, he would have been fascinated to read it; incredibly NASA’s current model of planetary orbits, observed through high-powered telescopes, was supposedly almost identical to Galileo’s original predictions.
"No math," Vittoria said. "He’s talking about retrograde motions and elliptical orbits or something."
"Next," Vittoria said.
Langdon flipped.
"Lunar phases and tidal motion," she said. "No numbers. No diagrams."
Langdon flipped again. Nothing. He kept flipping through a dozen or so pages. Nothing. Nothing. Nothing.
"I thought this guy was a mathematician," Vittoria said. "This is all text."
Langdon felt the air in his lungs beginning to thin. His hopes were thinning too. The pile was waning.
"Nothing here," Vittoria said. "No math. A few dates, a few standard figures, but nothing that looks like it could be a clue."
Langdon flipped over the last folio and sighed. It, too, was an essay.
"Short book," Vittoria said, frowning.
Langdon nodded.
"
"Maybe you were wrong about DIII?"
Langdon turned and stared at her.
"Okay," she agreed, "DIII makes perfect sense. But maybe the clue isn’t mathematical?"
"
"Art?"
"Except there are no diagrams or pictures in the book."
"All I know is that
"I agree."
Langdon refused to accept defeat so quickly. "The numbers must be written longhand. The math must be in words rather than equations."
"It’ll take some time to read all the pages."
"Time’s something we don’t have. We’ll have to split the work." Langdon flipped the stack back over to the beginning. "I know enough Italian to spot numbers." Using his spatula, he cut the stack like a deck of cards and lay the first half-dozen pages in front of Vittoria. "It’s in here somewhere. I’m sure."
Vittoria reached down and flipped her first page by hand.
"Spatula!" Langdon said, grabbing her an extra tool from the tray. "Use the spatula."
"I’m wearing gloves," she grumbled. "How much damage could I cause?"
"Just use it."
Vittoria picked up the spatula. "You feeling what I’m feeling?"
"Tense?"
"No. Short of breath."
Langdon was definitely starting to feel it too. The air was thinning faster than he had imagined. He knew they had to hurry. Archival conundrums were nothing new for him, but usually he had more than a few minutes to work them out. Without another word, Langdon bowed his head and began translating the first page in his stack.
53