Coming down the steps, she spots Pim by the door to his private office with Mrs. Zuckert. His hand is on her arm. And though Anne cannot discern what they are saying, she cannot miss the intimate tone of their murmur. She decides to make a noise. Scuffs a step loudly and watches how swiftly her father’s hand disconnects from the lady’s limb. His forehead prunes lightly as he calls upward, “Anne?”
“Yes, Pim. It’s me.”
“Your eyes are reddened. Are you all right, meisje?”
“I’m fine.”
“You were up in the rooms again?” This is how he refers to the Achterhuis now: up in the rooms.
“Only for a few minutes.”
“Anne, darling, I worry that you spend too much time up there.”
“And I worry that you don’t spend enough time, Pim.”
An edge of silence like a knife, but Mrs. Zuckert ignores it. “Thank you, Otto,” she says, her voice pleasantly relaxed. “I’ll see you tomorrow.” And then she smiles—“Good night, Anne”—but doesn’t stick around for Anne to reply.
“You know,
Another blink. Often the mere mention of Margot’s name dampens Pim’s expression. His poor Mutz, he always calls her.
“I could take dictation from you,” Anne says, plowing ahead. “It would be good practice for me,” she tells him with earnest intention. “So, really, you don’t always have to rely on your dear Mrs. Zuckert.”
For an instant Pim appears distressed. But then he quickly regains control and offers Anne his particular brand of pleasantly frowning agreement. “Hmm.
• • •
Later, after the supper dishes are cleared and washed and Miep and Jan have gone out for their evening walk, Anne finds Pim sitting in a chair in the Jekerstraat flat with a book open. She watches him from the room’s threshold. His body reedy and his face thin, but with a touch of color returning to his cheeks. His eyes look gentle and unhurried as he gazes down at the page, lost in words. It’s Goethe he’s reading this time instead of Dickens. The smoke from his cigarette curls softly upward.
He raises his eyes suddenly when he realizes that his daughter is watching him. “Anne?”
“So you know she’s divorced?” Anne asks him.
His expression does not change, but the light recedes immediately from his eyes.
“Mrs. Zuckert,” Anne says thickly. “Your favorite—” She begins to say, Your favorite in the office, but Pim’s voice is level when he cuts her off.
“I
“This is not about
“Doing what, daughter? I’m not doing anything.”
“Yes you are,” she insists. “Yes, you
And now her father expels a breath. He cheats a drag from his cigarette before tamping it out in Miep’s Bakelite ashtray, which he’s dirtied like a fireplace grate. “Anne,” he says. Her name as a preamble. The beginning of a lecture or a sermon:
“You
Her father shifts uncomfortably in the chair and huffs a breath. “Really, it’s always
“Well,
“
“Kugler says she used to do bookkeeping for the company. Is that when you first noticed her, when Mummy wasn’t around?”