“No good,” I said. My tongue was thick and tasted bad from the plasma. Sorel’s hand was still in the handbasket, and when I reached in and and pulled it out her flesh peeled off like the skin of a rotten fruit, and stuck to my fingers.

Outside, we could hear the protesters’ chants. It was Sunday morning.

That was two and a half months ago.

DeCandyle and I waited until the demonstrators left for church, and then he drove me home. “I have killed them both,” he said. Lamented. “First him and then her. With twenty years in between. Now there is no one left to forgive me.”

“They wanted it. They used you,” I said. Like they used me.

I made him let me off at the bottom of the drive. I was tired of him, sick of his self-pity, and I wanted to walk up to the studio alone. I couldn’t paint. I couldn’t sleep. I waited all day and all night, hoping irrationally to feel her cold touch on the back of my neck. Who says the dead can’t walk? I paced the floor all night. I must have fallen asleep for I had a dream in which she came to me, naked and shining and swollen and all mine. I woke up and lay listening to the sounds coming through the half-open window over my bed. It’s amazing how full of life the woods are, even in the winter. I hated it.

The next Wednesday I got a call from my ex. A woman’s body had been found at the Psy Studies Institute, and there was a chance that I would be brought in to help identify it. Dr. DeCandyle had been arrested. I might be asked to testify against him, also.

As it turned out I was never questioned. The police aren’t eager to press a blind man for an identification.

“Especially when the university is trying to hush up the whole business,” my ex said. “Especially when the body is as erratically decomposed as this one,” said her boyfriend.

“What do you mean?”

“I have a friend in the coroner’s office,” he said. “‘Erratically’ is the word he used. He said it was the most peculiar corpse he had ever seen. Some of the organs were badly decomposed and others almost fresh; it was as if the decedent had died in stages, over a period of several years.”

Cops love words like “decedent” and “corpse.” They, doctors, and lawyers are the only ones left that still speak Latin.

Sorel was buried on Friday. There was no funeral, just a brief graveside procedure so the proper papers could get signed. She was buried in the part of the cemetery set aside for amputated limbs and used medical school cadavers. It was odd mourning someone I had known better dead than alive. It felt more like a wedding; when I smelled the dirt and heard it hit the coffin lid I felt I was giving away the bride.

DeCandyle was there, handcuffed to my ex’s boyfriend. They had let him come as the next of kin.

“How’s that?” I asked.

“She was his wife,” my ex said as she led me to her cruiser so she could drive me home. “Student marriage.

Separated but never divorced. I think she ran off with the Jap. The one he killed first. See how it all fits together?

That’s the beauty of police work, Ray.”

The rest of the story you already know, especially if you subscribe to the National Geographic. The story was a Ballantine Prize nominee: the first pictures ever from the other side, the far realm, or as Shakespeare put it best, the Undiscovered Country. DeCandyle even made it into People magazine: The Magellan of the Styx Speaks from his Prison Cell and my gallery show in New York was a huge success. I was able to sell, for an astonishing price, a limited edition of prints, while donating (for a generous tax break) the paintings to the Smithsonian.

My ex and her boyfriend picked me up at the Raleigh-Durham airport when I flew back from New York. They were getting married. He had checked under the studio but found nothing. She was pregnant.

“What’s this I hear about your fingers?” my ex asked when she called last Thursday. She no longer has time to stop by; a country woman cooks for me. I explained that I had lost the tips of two fingers to what my doctor claims is the only case of frostbite in North Carolina during the exceptionally mild winter of 199-. Somehow my touch for painting has gone with them, but no one needs to know that yet.

It’s spring at last. The wet earth smells remind me of the grave and awaken in me a hunger that painting can no longer fill, even if I had my fingers. I have painted my last. My ex—excuse me, the future Mrs. William Robertson Cherry—and her boyfriend—excuse me, fiancé—have assured me that they will send a driver to pick me up and bring me to the wedding next Sunday.

I may not make it, though. I have a silver shotgun behind the door that I can ride like a rocket anytime I want to.

And I hate weddings. And spring.

And envy the living.

And love the dead.

<p>ARE THERE ANY QUESTIONS?</p>

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