My wish for delay was in part to be granted. The train was late. Because of snow-drifts on the line, precedence given to military trains, and the general inefficiency of the railway company, whose best men were now engaged in war-work, we stopped frequently. The temperature never became absolutely uncomfortable but the saloon-car with its stove grew crowded and eventually we put on our top-coats and returned to our seats. The actress remained in the saloon, drinking cognac. We were brought frequent tumblers of tea to console us. By dawn the old lady in black had begun to shiver. At last the train moved slowly forward between high banks of snow. It was impossible to see anything but snow. It was as if we travelled through a brilliant ice-cavern, a tunnel whose roof was illuminated by glowing grey felt.
Even as we crawled forward (we were only a few miles from Kiev) the snow came down again. Great sheets of it fell vertically. There was no wind. I was very tired, but I went to the observation platform behind the guard’s van and looked back at the line. There were two dark parallel tracks in it created by the wheels of the train. Even as I watched they began to fill. It was as if the whole of the past, the entire landscape behind us, were being erased. I had a feeling of freedom which quickly gave way to a sense of loss. I remembered Odessa in the summer; the quick, babbling people, the gaiety of it all, the wit, the kindness, the comradeship. This blizzard had fallen on that Odessan summer like a final curtain. The Frost Gods were taking vengeance on those who, for a few short months, had dared to be happy.
A little later, as if celebrating escape from disaster, we came steaming and whistling into Kiev. The station seemed bleak, though as crowded as ever. The great baroque pillars where pigeons nested, the stone walls and ceilings, the looming renaissance bas-reliefs, all gave an impression of coldness. With my bag (containing new clothes and gifts) I stepped down onto the platform, bewildered once more by the rush of the porters, the shouts of the passengers, the sense of panic which seized everyone the moment the train had stopped. But now I had no Shura to guide me.
I began to walk as best I could through this press. I ignored porters, vendors, touts. I had some idea of getting the tram to Podol and from there walking or getting another tram home. As I reached the main entrance and saw people fighting for cabs, crushing one another to get on the trams, I felt a terrible regret at the absence of Shura and his comradeship. I was never really to know such warmth and spirit again. I went past the terminus. The roofs and streets were piled with snow. There were braziers on the pavements, bundled-up old snow-sweepers, peasants selling hot tea and chestnuts, troikas going past. It was familiar. I hated it. I had in a strange way become a person without a context. We Russians will do anything to ensure ourselves a context. If slavery is the only one offered us, we will accept it rather than have none at all. It is what Kropotkin realised. It is why the Red Napoleon, Lenin, and his gang were so successful.
As a stranger, I looked at the city which I had left a few months ago and in which I had been raised. As a stranger, I did not enjoy what I saw. The War had already begun to affect us. The people were not as friendly, or at least as gregarious, as those in Odessa. There were not the smiles, the rapid exchanges, the gestures full of ambiguous meaning. So I thought.
I made my way to what was then called Stolypinskaya. If I walked along this street, it would eventually lead me to Vladimirskaya and St Andrews, where I would be able to get an ordinary tram all the way home. I was anxious to avoid the crowds. I had turned into Stolypinskaya, with its tall, yellow buildings which, with snow at top and foot, resembled a kind of unappetising seedcake, when I heard a shout behind me. I gripped my suitcase and felt a touch or two of anxiety until, turning, I realised it was Captain Brown, a hobbling old bear in black fur, rushing after me. ‘Maxim! I thought I’d missed you. Didn’t you get the message?’
