We could see it clearly now, high and stark under the dark clouds rolling swiftly in. That wasn’t the least bit reassuring; it looked as if it could see us. There was an eyeless, gaping quality about those tall windows with their upswept architraves like devilish eyebrows, as if the darkness behind them wasn’t just emptiness but in constant oily motion. But it didn’t look any the less deserted. The tropics aren’t kind to the works of men. Its stucco was stained and crumbling, its stonework root-cracked and rain-worn, the sinister crenellations decaying and the cruel cheveaux-de-frise on the inner walls half toothless with rust. Wrought-iron balconies sagged like withered tendrils; fragments of shutters drooped from half-torn hinges, and the roof gaped tileless in a dozen places. There wasn’t a sign or sound of life.

Until, that is, something rattled. A slow, tormented creak split the air, and faded into a swift, juddering tattoo. In that place, beneath the black clouds rolling in, it was a ghastly sound. It made me think of some ghostly galleon, riding at anchor over the rippling treetops; or of dry bones dancing on a wind-whipped gibbet.

Mall, coming up from the rear, broke the spell. ‘Fools! Asses! What is’t but cane?’ And so it was, a great green and yellow canebrake waving stiffly in the wind at the top of the wall, its stems colliding musically. But the nervous laughter died in our throats, for beyond the brake, at the apex of the terrace, stood a sinister vision. One I, at least, had seen before – the same scarecrow shape from the Vieux Carre graveyard, but far taller, black and stark as a withered tree against the onrushing storm. Its high-collared greatcoat trailed from crossed-stick shoulders the height of my head, its tattered hat tilted forward as if sunk in thought, brooding amidst the dry clattering cane.

‘The Baron’s watching his boneyard!’ said Jyp acidly. But as he spoke the wind seemed to take the hat, for it turned, rolled on the shoulder and lifted as if to look out seaward. As one man we ducked down and crept by like mice beneath a watchful owl. Call us crazy if you like.

At the wall’s foot we found a gateway, flanked by massive pillars; the gates that once blocked it were gone, the hinge pins rusted to stumps. The lintel, ornately carved with a religious subject – St Peter, it looked like, before cockcrow – lay shattered and half buried to one side. Beyond it a long narrow stair climbed to the terrace; its balustrade was ruinous and overgrown, its steps cracked and tilting, but it seemed to be the only way up. Quickly, keeping low, we scurried through and climbed, looking up nervously; we could hardly be more vulnerable here. At the top Jyp beckoned me forward, and together we peered cautiously over the edge. The cracked terrace flagstones stretched out before us to the inner wall, empty except for clumps of bushes and rattling cane; the largest of them hid the sinister stick figure from us – or was it the other way round? Beyond an imposing inner gate, one of whose doors still hung rotting from the hinge, stood another figure like it, but no longer clothed; minus its hat and coat the outstretched scarecrow arms looked more pathetic than sinister.

‘Featherman! Taupo! Come with us!’ hissed Jyp to the two sailors behind us, a big white-haired thug and a grizzled little ferret. ‘No pistols, cold steel only. The rest follow when we pass the word it’s safe. Mall, if we’re jumped, you take command. C’mon, Steve!’

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