He’s meat! Dead meat! he cried, and he yanked his hand away. Now, he croaked, now you can leave here!
No! No, they will find us and kill us for this! Where can we go now?
His arms at his sides, the machete still in his right hand, dripping blood onto the floor, Claude moved away from the door, as if offering it to Vanise and inviting her to step through.
She placed her hands over her eyes like a blindfold, shook her head slightly and took her hands away. Then, without looking at the boy, she said, Do you know how to find this
Yes.
You know the
Yes. Some, a little.
We must go there, then, to the
Claude nodded and obeyed.
Vanise tied some clothing in a towel and left the room for the baby. Look in his pockets, she called back. He always had plenty of money late at night. Be careful not to get any of his blood on you, she warned.
Claude stepped back to the hallway, and without looking at the man’s face or his huge wounds, carefully searched Grabow’s trouser pockets and came away with a fat roll of bills, which he showed to his aunt as she came out of the storage room, her half-awake child slung against her hip and her bundle grasped firmly in her other hand. She looked over coolly at the money and said, He must have won at dominoes tonight.
She dropped the bundle at Claude’s feet and took the money from him and stuffed it into the front of her blouse. Carry that, she said, and she stepped with care over Grabow’s legs and moved quickly into the darkness of the stairway and down. Claude picked up the bundle with his free hand and followed her.
A few miles west of Elizabeth Town, the road dips and slants toward the sea before it makes the bend at Clifton Point and curves back along the north side of the island to Nassau, and from the road, the land on both sides seems empty, save for the dense brush that grows to the edge of the pavement. The bougainvillea, cassia trees, mahoe and annatto, a tangled weave of flower, thorn and hardwood, rise up like a hedgerow and block the human life and cultivation that go on there from the sight of passersby — tourists in rented cars, teenagers on motorbikes, policemen from Nassau in their Toyotas, air-conditioned tour buses filled with peering, pink-skinned ladies and gentlemen from the continent.
North of the road and beyond the dense underbrush, the land rises, the topsoil thins out and short, reddish pine trees take over, with occasional bayberry and myrtle oak interspersed among the pine. This area is called the Barrens, and except for the sight and roar of the jets coming in and taking off from the airport a few miles north, one could be in the wilderness. The air is usually still here, no land breeze, no sea breeze, and the sun beats down with belligerent intensity on the heads of solitary men and boys who cultivate secret marijuana patches throughout the Barrens, hauling water in barrels and buckets long distances by hand and pickup truck over rocky paths and narrow trails from as far away as Lake Killarney beyond the airport and the ponds and marshes east of Elizabeth Town.
Also here among the pine trees are small vegetable gardens planted and tended by whole families, people from the outskirts of the towns, squatters and shack people, whose lives are official secrets. They are off-islanders, most of them, illegal immigrants from Haiti, wandering foreigners whose presence on the island is officially forbidden and unofficially tolerated, for they provide a considerable part of the huge, underpaid, unprotected labor force that is required by the tourist industry on New Providence. They wash the dishes, scrub the pots, clean the toilets, clip the grass and haul the trash for the managers of the enormous glass, steel and concrete hotels and casinos in Nassau and along Cable Beach and Paradise Island, working twelve-hour days and nights six and seven days a week for wages acceptable only to someone who would otherwise starve. They perform these tasks with gratitude, good cheer and alacrity, for in Haiti, they would have no choice but to starve.
South of the road beyond Elizabeth Town and behind the thicket of small, thorny trees and bushes, the land slopes down to the sea, and set in sandy soil among the thatch palms, invisible from the road and accessible only by means of winding, overgrown trails, are crowded settlements of shacks and shanties built of driftwood and cast-off iron and plastic from the villages and towns nearby. Pigs, chickens and goats wander the sandy pathways, skinny yellow dogs sleep in the shade and naked children play in doorways or in the yards, while idle, hungry men and women lean on the sills of open windows and stare out at the sea.
