She is silent for a second, then says, “No, I haven’t changed. You just never paid attention in the first place. Just like him. I’m sorry he’s dead, of
“Shit, Sarah, let’s not talk like this, not right now. Okay? He’s my brother. I’ve lost my brother. Let me … let me just be …”
“I’ve lost a husband,” she cuts in. “And Jessie’s lost a father. I’ve got a right.”
“Yeah, I know. I know. But let’s not argue about what kind of man he was, or how we ought to be feeling. Plenty of time for that later. It doesn’t matter right now what kind of man Eddie was. He’s a dead man is what matters. You know?”
“Yes. Fine.”
“I’ll … I’ll get the name of the funeral home they took him to. I’m sorry about that, it was just that I was kind of upset right at that moment and all and wasn’t paying the right kind of attention. I’ll take care of things here, till you get here, I mean.”
“No,” she says. “Just stay in the house, and don’t do anything, you hear? Don’t let anyone in, either. Things are more complicated than you know. Eddie got everything screwed up, so it’s not gonna be easy to untangle things. The bastard.”
“Sarah, he tried. Eddie
“Bob,” she says sweetly, “you only know a little. I know a
Bob tries to argue with her, not to prove her wrong, just to soften her feelings somewhat, but he can’t get over the wall of authority she’s put up between them: she knows the truth, has always known the truth, and he knows almost nothing.
He does know, however, that his wife Elaine, unlike his brother’s wife Sarah, will not treat him and Eddie in such a hard, self-centered way, and he’s right, for when he calls her and tells her about Eddie’s death, she is indeed properly dismayed and feels deep pity for both Bob and Eddie, which pleases him and fills his heart with renewed affection for her. But not for long. When he tells her what he planned to tell her, that he will take an evening job himself, as soon as he gets back down from Oleander Park, which may be a few days, since he has to run things up here, she responds coldly and says only that she can make more money as a waitress in one night than he can pumping gas part time for a week. And when he unfolds to her his plan to borrow enough money from Ave to buy the remaining three-quarters of the
When Bob Dubois is confused, he often responds by becoming angry, and now both his sister-in-law and his wife have confused him, so he slams down the phone and stalks out of Eddie’s kitchen, a large, shadowy room cluttered with dirty dishes, glasses, pots and pans, piles of dirty laundry, unread mail and newspapers, the room smelling of old garbage and burned cooking, and heads for Eddie’s liquor cabinet below the wet bar in the living room. The shades are drawn here, and the room is dim and sedately gray. Bob pours himself a double shot of Canadian Club and tosses it back in two gulps.
Refilling the glass, he eases himself down into the large, L-shaped, wine-colored sofa, picks up the phone from the table next to it and dials his old friend Avery Boone.
It’s Honduras who answers. Bob does not want to talk to any more women. He speaks to her as if she were a receptionist. “Ave, please.” She recognizes his voice and laughs, that same, high-pitched, mocking laugh she threw at him from the boat last night. “Let me speak to Ave, please,” he repeats.
“I got some stuff of yours here, Bob. Pair of pants, tee shirt, shoes and socks. Even a pair of underpants. All nice and clean, freshly washed and dried and pressed. Got your wallet here too. You were right, honey, you are broke.”