“Yeah.” He switches the toothpick from one side of his mouth to the other. “ ’cause if you ain’t, you probably oughta look somewheres else. If you is, you welcome to look around all you like,” he says, sweeping a long arm over the bar. “But I gotta see me some ID.”
Bob slips his hand under his shirt and rests it against the gun. Now everyone in the bar seems to be staring at him. A wall of large, dark faces peers down the bar at his blue eyes, his peach-colored skin, his brown hair, his long, pointed nose. “Is there a back door?” he asks the bartender. He suddenly hates his own voice, high and thin, effeminate, he thinks, and his clipped, flat, Yankee accent.
“Yes, there is a back door.” The bartender studies him for a second, then smiles wittily. “Maybe you the fire inspector?”
“No, no. I’m just looking for this kid, see, he ran …”
“Ain’t no such kid run in here, no such kid as I seen, anyhow,” he interrupts. Then abruptly he turns away from Bob and walks back down the length of the bar, and everyone else goes back to drinks and conversations.
Startled, suddenly alone again, Bob takes a step backwards, and as if watching himself from a spot located in a high corner of the room, he sees himself pull the gun from under his shirt. Holding the gun in the air next to his head, he aims it at the ceiling. At once, the bar drops into silence, except for the television in the rear, where Dan Rather intones the news. A few men say, “Hey!” and “What the fuck?” and then they see Bob and go silent, waiting. The pair of middle-aged men in front and a few others step back. Everyone watches him, and he watches himself, as if he has just turned into a writhing serpent.
Bob backs to the door and stops. “
In minutes, Bob pulls up in front of Marguerite’s house. He steps quickly from his car, flings the door shut, strides up the steps and raps loudly on the door. When old George opens the door, Bob walks past him and in. George slowly closes the door behind him, and Marguerite, barefoot, her white uniform unbuttoned at the throat, emerges from the kitchen.
“I
“Howdy, Mistah Bob,” George says from behind him. “Sit down, sit down, make yourself to home.”
Bob waves the old man away with the back of his hand, and George steps from the room quickly and purposefully, a man with better things to do than hover around a white man he has no particular fondness for.
“I followed you from the store,” Bob announces. He says it as if it were an accusation.
“Yes?”
“I saw who was in your car when you left the store.”
“Did you now? Fancy that.” She pads back to the kitchen and yanks open the refrigerator door. From the grocery bag set on a small, oilcloth-covered table, she pulls out lettuce, tomatoes, frozen lemonade, bologna, and places them one by one in the refrigerator.
“I recognized the kid in your car.”
Marguerite turns and squints her eyes at him. Then she shakes her head slowly from side to side and goes back to putting away her groceries. “That kid,” she says, “is as old as you.”
“Yeah, sure. And I suppose you don’t know how I happen to be able to recognize him.”
“No. And frankly, mister, I don’t know as I care much about all that. I don’t particularly like the way you talking to me. What you got on your mind, anyhow? You didn’t come all the way over here just to tell me you think you know who I give a ride home to. Whyn’t you just let me know what you got on your little mind and stop all this dancing round the subject. All of a sudden you sounding a little too cute to me.”
“That kid in the car. You know ’im?”
“What’s it to you? Who you think you is, my husband?” She takes a step toward him. “What the hell you think you doing? One minute you whining about how you gotta not see me no more ’cause of your wife had a baby, and then you come running in here and start to asking me all about someone I give a ride home to, like you own me or something? Listen, mister, you can just take it somewheres else.” She turns away and folds the emptied bag, folds it carefully, meticulously, along the edges, and slides it between the refrigerator and the stove. “I don’t know,” she says in a low voice, as if to herself. “I just don’t know anymore.” She hides her face from him and stares out the kitchen window, at the back of another small brick house.