Dead Man's Song полностью

He lay there, reviewing his dreams, trying to remember the pieces and assemble them into something coherent, but the harder he tried, the more elusive the fragments became until they were all gone, leaving him with just the awareness of the cold and the dark.

Then there was a sound. It was the first he had heard in hours. Or was it days? A muffled sound, like a footfall, but then it was followed by a scraping sound. It came again. A muffled thud and then a scrape. Thud and scrape. Rhythmic, orderly, and getting gradually louder. Not very loud, but louder, or perhaps closer. Or, he wondered, was it that he was hearing it more clearly because he was trying to.

Thud…scrape. Thud…scrape.

Then silence. He lay there and tried to hold his breath, then realized that he was not breathing at all. He didn’t do that anymore. Did not need to. He smiled, liking that.

Silence.

Suddenly his world was filled with light and noise. The light was muddy and indistinct, but it was there and he stared at it, wondering why it was so unfocused and just as he grasped why the light changed as the rubber sheet that covered him was pulled down and then he felt movement as the table he lay on rumbled out into brightness over welloiled rollers. He blinked once, twice, then his eyes focused, adapting unnaturally fast from utter darkness to the harshness of fluorescents. He looked up and the first thing he saw were the banks of lights on the ceiling, and the second thing he saw was the face of the man who had pulled him out of darkness.

The face was horrible, bloody and cut and filthy, with eyes that burned like coals and torn lips that writhed and trembled around a mouthful of jagged teeth.

He saw that face, and he smiled his own saw-toothed grin. “Boyd,” he whispered. He had to take a breath to speak the name.

The thing over him glared down at him, lips working, Adam’s apple bobbing as it tried to speak. “Karl…” it said.

Chapter 9

(1)

That night Crow and Val had dinner with Terry and Sarah. While they were at the table none of them brought up anything related to Pine Deep’s troubles, though their efforts to keep the conversation sanitized and light bordered on farce. The fact that Terry and Val cared little for one another even though she and Sarah were close did nothing to warm the room, even with a fire crackling in the living room and Ralph Vaughn Williams’s Pastoral Symphony sweetening the air. By the time the dessert plates were cleared and Sarah was pouring second coffees, Terry was looking thin with strain. Sarah caught Crow’s eye and, with the kind of telepathy old friends possess, with a flick of a glance toward the back door communicated a suggestion to Crow. He winked and said, “Terry, why don’t we take our cups outside and catch some air. You gals don’t mind, do you?” Normally a comment like that would have gotten him a sharp reply from Val—who never liked to be left with the dishes—but she had caught the look between Sarah and Crow, and read it right.

“Sounds like a good idea. Too cold out there for me,” she said. “I’ll help Sarah clear away.”

Terry only grunted, picked up his cup, and shambled after Crow. Behind the house was a huge hardwood deck with two big glass-topped tables and a dozen chairs scattered around. Crow lowered himself carefully into a redwood chaise longue and Terry parked his rump on the rail. For a while all they did was look at the stars. Orion was magnificent, his jeweled belt glittering. The wind had died away in late afternoon and though it was cold, both men were comfortable, Terry in a wheat-colored cable-knit sweater over charcoal cords, and Crow in jeans and a red flannel shirt over a sweatshirt advertising the Wild River Review. Party Cat came darting out to join them, the little hinged door slapping behind him. He started to jump up on the rail to be near Terry, then appeared to change his mind and crawled onto Crow’s lap. Terry didn’t notice.

For a couple of minutes they discussed the manhunt, and Terry brought Crow up to speed on what Ferro and Gus were doing to find Boyd. “All they found the first day were some footprints, but that petered out to nothing. Yesterday they had twice as many men in the woods and still found nothing. Today, same thing, and Ferro even had some guys rappel down the pitch from the Passion Pit to Dark Hollow. Nothing. What’s the line from The Fugitive? Where Tommy Lee Jones tells his guys he wants a hard-target search of any residence, gas station, farmhouse, henhouse, doghouse, and outhouse in the area? Well, that about sums it up, but no one’s so much as found a whiff of Boyd. Nothing. Ferro’s pain-in-the-butt partner, LaMastra, thinks Boyd left town, but since he did that before and then came back to kill those poor cops, I don’t know how much I’m willing to believe it. Understand, I hope he has left,” Terry concluded bitterly. “We need this to be over!”