Mike Sweeney drifted between three dreams. First it was the nightmare of the burning town and the death of everyone he knew and that melted into the dream where the Wrecker chased him and ran him down, grinding him to red paste on the black highway. The third dream—the new one—that was the worst by far. It always started out okay, with him feeling immensely powerful, pedaling his bike faster than the wind, swooping down the long hill to the Hollow at the base of the mountains, skidding to a stop amid the flame and the hordes of murdering monsters. He would leap off, dragging his sword out of its sheath, the blade bright with mirrored flame, launching himself into a murderous attack. It was the kill that thrilled him most, and he was good at it. Naturally, easily, gleefully good at it. His sword would flick and dance, seeding the air with scarlet droplets of blood. He would dodge and twist, too fast to catch, too strong to overwhelm, too powerful to be stopped. His enemies would fall around him, unable to stand before his fury.

And yet still his friends would die. He would kill the monsters until they were stacked like cordwood ten deep around him. Or he would cut them, watching as they burst into flame. But always, always, always there were too many, and they would overwhelm his friends. Even while he survived. Even if he went on to kill every last one of the monsters, his friends—Crow, Val, Tyler—all of them would die.

Then he would hear the voice of the Beast—this time a beast he could see, and he would turn and there it was. Fifteen feet tall, with great bat wings spread wide and gnarled goat legs with hooves that split stones when he stamped. Curling horns arched up from his head and in his mouth his teeth were like daggers. A devil in flesh, the demon god of some new hell.

“LOOK AT ME!” it would roar in a voice that shook the world. Mike would begin to scream then. Even with all of the other monsters dead around him and his sword still in his hands, he would begin to scream. It was not an inarticulate howl of rage or pain or even terror. It was a word that he would scream, and the screaming of that single word would tear blood from his throat and rip him raw. The sound of it would shatter the cold steel of his sword and shatter the bones in his own legs, dropping him down onto his knees as agony exploded upward through his thighs and into his groin. He would scream that one word over and over again until the screaming of it burst him apart more surely than the wheels of the Wrecker, and in his dreams Mike would feel himself dying, would actually feel his skull splitting and his throat rupturing as his blood fought to escape his veins.

He would scream the word, “Father!” And then he would die.

Mike cried as he was wrenched out of the dream into the darkness of his room and the temporary shelter of the waking world. Misery stitched itself through every inch of his body and burst into his brain like a white-hot light. Fireflies seemed to dance in the shadows of his room. Mike’s heart was a creature scrambling to escape the trap of his chest; his lungs sought to breathe in an airless void. In his darkness he imagined he could still hear the sound of his own voice screaming, and the absurdity of what he was screaming did nothing to ameliorate the terror that it engendered. Mike clutched his blanket to his thin body, trying not to scream here in his room, afraid of what word would come out. Even so, as overwhelming as his terror was, it should have been worse, but Mike was too young, yet, to perceive the difference between nightmare and prophecy.

(6)

Weinstock pushed the morgue door open slowly and stood there for a long time, just looking into the room. There were just two small lights on and the place was filled with cold shadows. Weinstock shivered and almost—almost—turned to leave. Had there been the slightest distraction, just the ding of an elevator bell down the hall or the buzz of his pager, he would have seized the moment and gone to do anything but what he was planning to do. He waited…and waited…and all was silent, the shadows without an uninterrupted challenge. A thick bead of sweat was plowing a channel through the hair on his back and he kept licking his lips.

“God,” he murmured, “what am I doing?” He went inside. He didn’t want to do this in the dark and so he swiped a hand upward to turn on all the ceiling lights and then went around and switched on every table lamp, and even switched on the big examination lamp in its metal hood so that harsh white light bathed the empty stainless-steel dissecting table. Everything was clean and light sparkled from metal fittings and instruments. The brightness helped. It made what he was thinking seem even more absurd, and he needed it to be absurd. Saul Weinstock needed to be proven one hundred percent wrong.

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