Dead Souls полностью

Gogol designed the tide page for the first edition of Dead Souls himself. It is an elaborate piece of not-quite-symmetrical baroque scrollwork, surrounded by airy curlicues in which various objects and figures appear. At the top center is a britzka being pulled by a galloping troika and raising a small cloud of dust. Below it to the left is a sketch of a manor house with a gate, then a well with a long sweep pointing upwards, then a tray with a bottle and four glasses the same size as the house and the well sweep. Centered under the britzka is another bottle, and to the right are more bottles (one fallen over), a glass, and a mysterious pointed object, possibly a tower. Further down around the lettering on the page we find a fish on a platter, a wooden bucket, yet another bottle, some dried fish hanging from curlicues; there is a barrel, a plaited bast shoe, a single boot, a small capering figure raising a glass, a pair of boots. A lyre hangs from the ornamentation beside a solemn satyr's mask, balanced by a similar satyr's mask on the other side and what may be more musical instruments. Above the publication date is an oval platter with a big fish on it, surrounded by smaller fish. To the left of the date a balalaika and a guitar, to the right of it a miniature dancing couple. At the very bottom center, amid more scrollwork, is a human face. The curlicues around the words Dead Souls turn out, on closer inspection, to be skulls.

The words on the title page are presented in lettering of different styles and very unequal sizes. At the top, in the smallest and plainest letters, we read Chichikov's Adventures; then, in very small cursive, the word or; then, in larger and bolder letters, Dead Souls. In the largest letters of all, in the very center of the page, white against a black background, is the word Poema, the Russian term for a narrative poem. Below that, in small but elegantly ornate lettering, appears the name of the author: N. Gogol. And finally, on a square plaque under the oval platter with the big fish, comes the date of publication: 1842.

This was Gogol's own introduction to his book. The sketches suggest something of its content and more of its atmosphere: the road, the racing britzka, country estates, a good deal of drinking and eating, music and dancing, and, in the midst of it all, those little skulls, those slightly menacing satyrs, that ambiguous human face looking out at us. These are all the stuff of Gogol's poema. But before considering the nature of this paradoxical feast, I want to say something about the words Gogol distinguished so carefully by the size of their lettering and their placement on the page.

Gogol was thirty-three in 1842, when this first edition of the first volume of Dead Souls was published. A second edition came out in 1846, but the promised continuation of Chichikov's adventures, the "two big parts to come" mentioned at the end of the first volume, were never finished. Gogol labored over the second part for the last ten years of his life, burned one version in 1845, and another in 1852, a week before his death. What survived among his papers were drafts of the first four chapters, fragmentary themselves, plus part of a later chapter, possibly the last. They were published in 1855, in a volume entitled The Works of Nikolai Vassilyevich Gogol Found After His Death. The first volume of Dead Souls was, in fact, the last good book Gogol wrote.