Needle-Eye took even less time to look at the princess. After the briefest of glances, he lowered his head and said, “Your Royal Highness, beloved princess of the people, please condone my lapse in courtly habits. Your beauty pains me like the midday sun, and I will, for the first time, feel the inadequacy of my paintbrush. But I have already drawn in my heart an image of you, and of your nonpareil loveliness. These I will transfer to the painting.”
Then the prince asked Needle-Eye to look at each minister. He did, resting his gaze only briefly on each face. He lowered his eyes. “Your Honors, please excuse a lowly painter’s offenses. I have already drawn in my heart an image of you, and of your talents and intellects. These I will transfer to the painting.”
The celebration continued, and Prince Ice Sand pulled Needle-Eye into a corner. In a whisper, he asked, “Have you memorized all of them?”
Needle-Eye kept his head low, his face entirely hidden within the shadow of his hood. The cape appeared empty, containing only shadows and no substance. “Yes, my king.”
“Everything?”
“Everything, my king. I can now paint a picture of each strand of hair on their bodies and head, and it will be an exact replica of the original.”
The celebration ended after midnight. The lights in the palace went out, one after another. It was the darkest hour before dawn: The moon had already set, and dark clouds, like a curtain, veiled the sky from west to east. The earth was submerged in ink. A chill wind blew through, and birds shivered in their nests, while terrified flowers folded their petals together.
Like ghosts, two horses emerged from the palace and sped west. The riders were Needle-Eye and Prince Ice Sand. They came to an underground bunker a few miles from the palace. It seemed sunken into the deepest sea of night: dank, gloomy, like the belly of a cold-blooded beast in deep slumber. Their two shadows swayed and flickered in torchlight, and their bodies were but two dark spots at the end of the long shadows. Needle-Eye took a scroll out of a canvas bag and unrolled it: a painting, about as long as a man was tall. It was the portrait of an old man. White hair and beard surrounded his face like silver flames, and his piercing gaze was very similar to Needle-Eye’s, though endowed with more depth. The portrait showed off the skill of the painter—lifelike, with every detail captured.
“My king, this is—was—my teacher, Master Ethereal.”
The prince nodded. “Excellent. It was a smart decision to paint him first.”
“Yes, I had to, so that he would not paint me first.” With great care, Needle-Eye hung the portrait on the damp wall. “All right, now I can get to work on the new pictures for you.”
From a corner of the bunker, Needle-Eye retrieved a roll of something snowy white. “My king, this is a section of the trunk of a snow-wave tree of He’ershingenmosiken. When the tree reaches a hundred years of age, the trunk can be unrolled like paper—the perfect medium for painting. My magic is only effective when I paint on snow-wave paper.” He placed the roll on a stone table, unrolled a section, and pressed it under an obsidian slab. Then he took a sharp knife and cut the paper against the edge of the slab. When he lifted off the slab, the section of cut paper was pressed flat against the table. The pure white surface seemed to glow by itself.
The painter retrieved his implements from the canvas bag and laid them out. “My king, look at these brushes, made from the ear tufts of the wolves found in He’ershingenmosiken. The paints are also from there: The red is made from the blood of giant bats; the black is the ink of squids caught in the deep sea; the blue and the yellow are extracted from meteorites…. All the paints must be mixed with the tears of a species of giant bird called the moon-blanket bird—”
“Just get on with it,” the prince said.
“Of course, of course. Who should I paint first?”
“The king.”
Needle-Eye picked up his brush. He worked casually, a dab here, a streak there. Gradually, various colors appeared on the paper, but no shape could be discerned. It was as if the paper had been laid out in a multicolored rain, and drops of all hues continuously fell onto the paper. Over time, the paper was filled with colors—a chaotic swirl, like a garden trampled by rampaging horses. The brush continued to glide through this maze of colors, as though the painter’s hand no longer guided it, but it was leading the painter’s hand. Puzzled, the prince watched from the side. He wanted to ask questions, but the movements of the colors emerging and gathering had a hypnotic effect, and he was mesmerized.
Then, in a moment, as though a rippling surface suddenly froze, all the random spots connected to each other, and all the colors had meaning. Shapes appeared, and quickly turned crystal clear.
