I recalled a scene from one of the Muteba Kazadi biographies I'd skimmed: when asked in reproving tones by а ВВС journalist why he'd declined an invitation to take part in a traditional Lunda fertility ceremony, he'd politely suggested that she go home and berate a few cabinet ministers for failing to celebrate the solstice at Stonehenge. Ten years later, there were half a dozen MPs who seemed to have taken the suggestion at face value. No cabinet ministers, though. So far.
I paused to watch the MR theatre troupe, ready to play spot-the-mutilated-classic. After a few baffling lines of garbled biotech-speak—unplaceable, but weirdly familiar—hairs stood up on the back of my neck. They'd seized on the news of Landers and his viruses, and were acting out their own hastily scripted version of the story. What's more, most of their descriptions of Landers' modified personal biochemistry came straight out of the narration to
I shouldn't have been surprised by any of this—but the speed with which events thousands of kilometers away had been recycled as an instant parable was unsettling enough; hearing my own words echoed back at me as part of the feedback loop verged on the surreal.
An actor playing one of the FBI agents sent to gather Landers' computer files turned to the audience (all three of us) and proclaimed, "This knowledge could destroy us all! We must avert our gaze!" His companion replied mournfully, "Yes—but this is only one man's folly! The same sacred mysteries are spelled out in ten million other machines! Until every one of those files is erased… none of us will ever sleep safely!"
My head throbbed and my throat tightened. I couldn't deny that in the dead of night, confused and in pain, I'd shared this sentiment entirely.
I walked on. I had no time to waste on Landers, or MR; keeping up with Violet Mosala was already proving near enough to impossible. The whole documentary kept being transmuted into something new before my eyes—and however gloriously unworldly her arcane physics, Mosala was entangled in so many political complications that I was beginning to lose count.
It was driving me insane: even in her absence, Sarah seemed to be one step ahead of me all the way. At the very least, I should have asked her to collaborate; it would have been worth splitting my fee with her, and giving her a co-director's credit, just to find out what she knew.
A bright red graphic flashed up over my visual field, a small circle at the center of a larger one with cross-hairs. I froze, confused. As I shifted my gaze, the target clung to a face in the crowd. It was a person in a clown suit, handing out MR literature.
Akili Kuwaie?
Witness thought it was.
The clown wore a mask of active make-up, currently a checkerboard of green and white. From this distance, ve might have been any gender, including asex; ve was about the right build and height—and vis features weren't dissimilar, so far as I could tell with squares painted all over them. It wasn't impossible—but I wasn't convinced.
I approached. The clown called out, "Get your
I walked up to the clown; ve regarded me impassively. I said, "How much?"
"The truth costs nothing… but a dollar would help the cause."
"Which cause is that? MR or AC?"
Ve said quietly, "We all have our roles to play. I'm pretending to be MR. You're pretending to be a journalist."
That stung. I said, "Fair enough. I admit I still don't know half as much as Sarah Knight… but I'm getting there. And I'd get there faster with your help."
Kuwale regarded me with undisguised mistrust. The checkerboard on vis face suddenly melted into blue-and-red diamonds—a disorienting sight, though vis fixed stare throughout the transition only made vis contempt shine through all the more clearly.
Ve said, "Why don't you just take a pamphlet and fuck off?" Ve held one out to me. "Read it and eat it."