What had she said?
If there were a mirror on the back of this door instead of just a hook, if she were to take off her clothes and kneel before it, she, with her sagging breasts and knobbly hips, would look much like the women in those intimate, over-intimate photographs from the European war, those glimpses into hell, who knelt naked at the lip of the trench into which they would, in the next minute, the next second, tumble, dead or dying with a bullet to the brain, except that those women were in most cases not as old as she, merely haggard from malnutrition and fright. She has a feeling for those dead sisters, and for the men too who died at the hands of the butchermen, men old and ugly enough to be her brothers. She does not like to see her sisters and brothers humiliated, in ways it is so easy to humiliate the old, by making them strip, for example, taking away their dentures, making fun of their private parts. If her brothers, that day in Berlin, are going to be hanged, if they are going to jerk at the end of a rope, their faces going red, their tongues and eyeballs protruding, she does not want to see. A sister's modesty. Let me turn my eyes away.
Is that the truth? Will that do as an explanation?
Yet she does the same kind of thing, or used to. Until she thought better of it, she had no qualms about rubbing people's faces in, for instance, what went on in abattoirs. If Satan is not rampant in the abattoir, casting the shadow of his wings over the beasts who, their nostrils already filled with the smell of death, are prodded down the ramp towards the man with the gun and the knife, a man as merciless
So what has happened to her now? Now, all of a sudden, she has grown prim. Now she no longer likes to see herself in the mirror, since it puts her in mind of death. Ugly things she prefers wrapped up and stored away in a drawer. An old woman turning back the clock, back to the Irish-Catholic Melbourne of her childhood. Is that all it amounts to?
The twentieth century of Our Lord, Satan's century, is over and done with. Satan's century and her own too. If she happens to have crept over the finish line into the new age, she is certainly not at home in it. In these unfamiliar times Satan is still feeling his way, trying out new contrivances, making new accommodations. He pitches his tent in odd places – for example in Paul West, a good man, for all she knows, or as good as a man can be who is also a novelist, that is to say, perhaps not good at all, but tending nevertheless to the good, in some ultimate sense, otherwise why write? Takes up residence in women too. Like the liver fluke, like the pinworm: one can live and die ignorant that one has been host to generations of them. In whose liver, in whose gut was Satan, that fateful day last year when again, indubitably, she felt his presence: in West's or in her own?