"Va-t-en, menteur!" scoffs she, so I sat on my hands and she consented warily. I knew it was all I was fit for, and made the most of those sweet lips for the few seconds she permitted before she broke away, gratifyingly pink and breathless.
"Bon," says she, and drew some papers from her reticule. "Then I may safely sit by you while you read to me from the present I have brought for you. I coaxed them from an English tourist in the town, pretending an interest in your culture Anglaise. His wife, I think, was not amused." She sat on my chair arm, allowing me to put a hand round her waist, and laid the papers in my lap. "What do you say … `for old times' sake', non?"
"Oh, my God!" says I. They were copies of Punch. "You cruel little monster! Reminding me of the last time, when you know I’m in no state to explain `hankey-pankey' to you!"
"Attention!" She rapped my wrist. "I know all about that, but I do not know what is amusing about M. Gladstone dancing in the dress of a sailor, or your policemen being given whistles to blow—ah, yes, or why your sacré M. Paunch has such malice against us in France, with his bad jokes about Madagascar and La Chine and M. de Lesseps, and oh! such fun about Frenchmen playing your blooded cricket—"
"Bloody, dearest, not blooded. And t’ain’t ladylike to—"
"Ah, yes, and here—further insult!" She stabbed an indignant fingernail at the page. "France is drawn as an ugly old paysanne with fat ankles and abominable clothes—but who is this divine being, so beautiful and elegant of shape in her fine drapery? What does she represent, ha? The Manchester Ship Canal! Quelle absurdité!"
"Oh, come, France is mostly a peach in our cartoons. And we’ve always made fun of you, ever since Crécy and Joan of Arc and whatnot—but you do the same to us, don’t you?"
"Sans blague! An example, then?"
"Well, look at Phileas Fogg, a prize muff if ever there was one! That man Verne is never done sniping at us … aye, those two British officers in that twaddling book about a comet hitting the earth, what a pair of muttonheaded by-joves they are! Pompous, ill-tempered caricatures, all whiskers and haw-haw and crying ’Balderdash!' "
"And that is not true?" says she, all innocence.
"Course it’s not! Stuff and nonsense! Nothing like us!" At which she began to giggle and flicked my whiskers in a marked manner. I could only growl and point out that at least I wasn’t in the habit of crying "Balderdash!" or "Haw-haw!"[21]
So we passed a pleasant hour, soon discarding Punch and talking about anything and everything except the past few days. I told her about Egypt and Zululand, and she talked of the places she had visited in the course of her work—Rome and Athens and Constantinople and Cairo—but never a word of the work itself. Fashions, food, customs, society doings, men (whom she seemed to find comic, mostly), shops, hotels, and journeys: we compared notes about them all, and even found acquaintances in common, like Liprandi, to whom I’d surrendered, rather informally, at Balaclava, and whom she’d waltzed with at St Petersburg, and the big Sudanese with tribal cuts on his face who kept the Cigale café in Alex—and Blowitz, naturally, was an amusing topic.
I wasn’t sorry, though, when supper-time came. Tête-a-tête is ail very jolly, but when you know dam' well your voluptuous vis-a-vis is a cul-de-sac, and she sits on your chair-arm with her udders in your ear and a bare shoulder begging to be nibbled and her perfume conjuring erotic notions, and you daren’t stir a lecherous finger for fear of bursting the needlework in your navel and suffering the indignity of having her remove your blood-sodden britches and upbraid you for a foresworn satyr, none of which will do a thing for your future amorous relations … well, it’s trying, I can tell you. Le pauvre M. Tantaloose didn’t know what frustration was. Ne’er mind, thinks I, we’ll make up for this in Paris presently. Kralta’ll keep.
It was quite like old times to sit across the table from her in candlelight, tucking into the cold ham and fruit and Bernkastler, she chattering gaily and I sitting easy and admiring the highlights on the dark curls, and the perfect ivory curves of chin and neck and shoulder. I could have imagined we were back in the Jager Strasse, except for a brief moment when she peeled a plum and presented it to me, laughing, on a fork … and I thought of those dainty fingers with their polished nails coiled round a sabre hilt, and of the hidden strength of the slender white arm—but when I looked, the smiling lips and merry eyes were those of the Caprice I knew so well, exclaiming "Oh-la, gauche!" when I dropped the fork, and a moment later rising and gleaming at me over the rim of her glass as she proposed a toast to our reunion.
"I’ve a better toast than that," says I, halting round the table and nuzzling her neck. "To our next meeting, when this dam' scratch of mine has healed." She clinked glasses, but said nothing. I asked when she was going back to Paris.
