“It’s kind of a bottomless pit, once you get into it,” Patty snuffled. She was feeling suddenly cold in her bathing suit, and physically unwell. She went and put her arms around Richard’s warm, broad shoulders, and lay down with him on the Oriental rug, and so the long bright gray afternoon went.
Three times, altogether. One, two, three. Once sleeping, once violently, and then once with the full orchestra. Three: pathetic little number. The autobiographer has now spent quite a bit of her mid-forties counting and recounting, but it never adds up to more than three.
There is otherwise not much to relate, and most of what remains consists of further mistakes. The first of these she committed in concert with Richard while they were still lying on the rug. They decided together—agreed—that he should leave. They decided quickly, while they were sore and spent, that he should leave now, before they got themselves in any deeper, and that they would both then give the situation careful thought and come to a sober decision, which, if it should turn out to be negative, would only be more painful if he stayed any longer.
Having made this decision, Patty sat up and was surprised to see that the trees and the deck were soaked. The rain was so fine that she hadn’t heard it on the roof, so gentle that it hadn’t trickled in the gutters. She put on Richard’s faded red T-shirt and asked if she could keep it.
“Why do you want my shirt?”
“It smells like you.”
“That’s not considered a plus in most quarters.”
“I just want one thing that’s yours.”
“All right. Let’s hope it turns out to be the only thing.”
“I’m forty-two,” she said. “It would cost me twenty thousand dollars to get pregnant. Not to burst your bubble or anything.”
“I’m very proud of my zero batting average. Try not to wreck it, OK?”
“And what about me?” she said. “Should I be worried that I’ve brought some disease into the house?”
“I’ve had all my shots, if that’s what you’re asking. I’m usually paranoically careful.”
“I bet you say that to all the girls.”
And so on. It was all very chummy and chatty, and in the lightness of the moment she told him that he had no excuse now not to sing her a song, before he left. He unpacked his banjo and plucked away while she made sandwiches and wrapped them in foil.
“Maybe you should spend the night and get an early start in the morning,” she called to him.
He smiled as if refusing to dignify this with an answer.
“Seriously,” she said. “It’s raining, it’s going to get dark.”
“No chance,” he said. “Sorry. You will never be trusted again. It’s something you’re just going to have to live with.”
“Ha-ha-ha,” she said. “Why aren’t you singing? I want to hear your voice.”
To be nice to her, he sang “Shady Grove.” He had become, over the years, in defiance of initial expectations, a skilled and fairly nuanced vocalist, and he was so big-chested that he could really blow your house down.
“OK, I’m seeing your point,” she said when he finished. “This isn’t making things any easier for me.”
Once you get musicians going, though, they hate to stop. Richard tuned his guitar and sang three country songs that Walnut Surprise later recorded for
“Here are your sandwiches,” she said, dumping them into his arms, “and there’s the door. We said you were leaving, and so you’re leaving. OK? Now! I mean it!
He took a deep breath and drew himself up as if to deliver some pronouncement, but his shoulders slumped and he let the big statement escape from his lungs unspoken.
“You’re right,” he said, irritably. “I don’t need this.”
“We made a good decision, don’t you think?”
“Probably we did, yeah.”
“So go.”
And he went.