When Jessica did not reply to this, Patty forced herself to look up. Her daughter was gazing with desolate self-control at the main college building, on an outside wall of which Patty had noticed a stone graven with words of wisdom from the Class of 1920: USE WELL THY FREEDOM.

“Please?” she said.

“No,” Jessica said, not looking at her. “No! I don’t feel like it.”

“I’m sorry I drank too much and said those stupid things last night. I wish you’d let me make it up to you.”

“I’m not trying to punish you,” Jessica said. “It’s just, you obviously don’t like my school, you obviously don’t like my boyfriend—”

“No, he’s fine, he’s nice, I do like him. It’s just that I came here to see you, not him.”

“Mom, I make your life so easy for you. Do you have any idea how easy? I don’t do drugs, I don’t do any of the shit that Joey does, I don’t embarrass you, I don’t create scenes, I never did any of that—”

“I know! And I am truly grateful for it.”

“OK, but then don’t complain if I have my own life and my own friends and don’t feel like suddenly rearranging everything for you. You get all the benefits of me taking care of myself, the least you can do is not make me feel guilty about it.”

“Jessie, though, we’re talking about one night. It’s silly to make such a big deal of it.”

“Then don’t make a big deal of it.”

Jessica’s self-control and coolness toward her seemed to Patty a just punishment for how rule-bound and cold to her mother she herself had been at nineteen. She was feeling so bad about herself, indeed, that almost any punishment would have seemed appropriate to her. Saving her tears for later—feeling as if she didn’t deserve whatever emotional advantage she might have gained by crying, or by running off in a sulk to the train station—she exercised her own self-control and ate an early dining-hall dinner with Jessica and her roommate. She behaved like a grownup even though she felt that Jessica was the real grownup of the two of them.

Back in St. Paul, she continued her plunge down the mental-health mine shaft, and there were no more e-mails from Richard. The autobiographer wishes she could report that Patty didn’t send him any e-mails, either, but it should be clear by now that her capacity for error, agonizing, and self-humiliation is boundless. The one message she feels OK about sending was written after Walter gave her the news that Molly Tremain had killed herself with sleeping pills in her Lower East Side apartment. Patty was her best self in that e-mail and hopes that it’s how Richard remembers her.

The rest of the story of what Richard was doing that winter and spring has been told elsewhere, notably in People and Spin and Entertainment Weekly after the release of Nameless Lake and the emergence of a “cult” of Richard Katz. Michael Stipe and Jeff Tweedy were among the worthies who came forward to endorse Walnut Surprise and confess to having been longtime closet Traumatics listeners. Richard’s scruffy, well-educated white male fans may not have been so young anymore, but quite a few of them were now influential senior Arts editors.

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