That night, as Parks Commissioner Cowper came down the broad white marble steps outside Philharmonic Hall, his wife clinging to his left arm, swathed in mink and wearing a diaphanous white scarf on her head, the commissioner himself resplendent in black tie and dinner jacket, the mayor and his wife four steps ahead, the sky virtually starless, a bitter brittle dryness to the air, that night as the parks commissioner came down the steps of Philharmonic Hall with the huge two-story-high windows behind him casting warm yellow light onto the windswept steps and pavement, that night as the commissioner lifted his left foot preparatory to placing it on the step below, laughing at something his wife said in his ear, his laughter billowing out of his mouth in puffs of visible vapor that whipped away on the wind like comic strip balloons, that night as he tugged on his right-hand glove with his already gloved left hand, that night two shots cracked into the plaza, shattering the wintry stillness, and the commissioner's laugh stopped, the commissioner's hand stopped, the commissioner's foot stopped, and he tumbled headlong down the steps, blood pouring from his forehead and his cheek, and his wife screamed, and the mayor turned to see what was the matter, and an enterprising photographer on the sidewalk caught the toppling commissioner on film for posterity.
He was dead long before his body rolled to a stop on the wide white bottom step.
Concetta Esposita La Bresca had been taught only to dislike and distrust all Negroes. Her brothers, on the other hand, had been taught to dismember them if possible. They had learned their respective lessons in a sprawling slum ghetto affectionately and sarcastically dubbed Paradiso by its largely Italian population. Concetta, as a growing child in this dubious garden spot, had watched her brothers and other neighborhood boys bash in a good many Negro skulls when she was still just a
Concetta had left Paradiso at the age of nineteen, when the local iceman, a fellow
Her son was born seven months later, and he was now twenty-seven years old, and living alone with Concetta in the second-floor apartment of a two-family house on Johnson Street. Carmine La Bresca had gone back to Pozzuoli, fifteen miles outside of Naples, a month after Anthony was born. The last Concetta heard of him was a rumor that he had been killed during World War II, but, knowing her husband, she suspected he was king of the icemen somewhere in Italy, still fooling around with young girls and getting them pregnant in the icehouse, as was her own cruel misfortune.
Concetta Esposita La Bresca still disliked and distrusted all
Negroes, and she was rather startled - to say the least - to find one on her doorstep at 12:01 A.M. on a starless, moonless night.
"What is it?" she shouted. "Go away."
"Police officer," Brown said, and flashed the tin, and it was then that Concetta noticed the other man standing with the Negro, a white man, short, with a narrow face and piercing brown eyes,
"What do you want, go away," she said in a rush, and lowered the shade on the glass-paneled rear door of her apartment. The door was at the top of a rickety flight of wooden steps (Willis had almost tripped and broken his neck on the third one from the top) overlooking a back yard in which there was a tar-paper-covered tree. (Doubtless a fig tree, Brown remarked on their way up the steps.) A clothesline stiff with undergarments stretched from the tiny back porch outside the glass-paneled door to a pole set diagonally at the other end of the yard. The wind whistled around the porch and did its best to blow Willis off and down into the grape arbor covering the outside patio below. He knocked on the door again, and shouted, "Police officers, you'd better open up, lady."
"Is it all right to come in, lady?" Willis asked.
"Come in, come in," Concetta said, and stepped back into the small kitchen, allowing Willis and then Brown to pass her.