One evening, eleven days after the completion of the veve, while sitting at their window, listening to branches snap, leaves scuttering across the side of the house, Jocundra noticed the corner of a notebook sticking out from beneath their mattress. On first leafing through it, she thought it to be notes for a new story because of the odd nomenclature of towns and people, its references to the purple sun and the Yoalo. But then she realized it was a journal of Donnell’s walks upon the veve. On the inside foreleaf was a sketch of the veve, every junction numbered, and a list of what seemed to be the ranks of the Yoalo. Inductee, Initiate, Medium, Sub-aspect, Aspect, High Aspect. She had a twinge of foreboding, and as she settled back to read the first entry, she tried to tell herself it was only background for a story written in diary form.
Bits of litter, black leaves, were drifting across the dusty street. All the buildings were of weathered black wood, and most were of two stories, the topmost overhanging the lower and supported by carven posts. Every inch of the buildings was carved: lintels evolving into gargoyle’s heads, roof peaks into ornate finials. The doorframes flowed with tiny faces intertwined with vines, and stranger faces yet - half flower, half beast -emerged from the walls. The similarity between these embellishments and those of Maravillosa was inescapable. Light issued from shutters pierced by scatters of star-shaped holes so that the appearance was of panels of night sky studded with orange stars. Though many of the details were not of my original invention - the names, for instance - it was the village of my story, complete down to the sign above the inn, an odd image I now recognized for a petro painting. The evilly tenanted forest looming over the roofs; the tense, secretive atmosphere; the cracked shells and litter blowing on the streets; it was all the same. Voices were raised inside the inn, and I had a strong intuition that some important event was soon to occur there.
As the sun’s corona streamed higher above the forest, striking violet glints from the eddies in the river, I noticed an ideograph laid out in black dust centering the crossroads just ahead. The fitful breeze steadied, formed into a whirlwind over the ideograph, and dissipated it into a particulate haze. I had a memory of an old man wearing a dun-colored robe, bending over an orange glow, talking to me. His voice was hoarse and feeble, the creaking of a gate modulated into speech. ‘The stars are men’s doubles,’ he said. ‘The wind is a soul without a body.’
Shortly after this, I became afraid I would not be able to leave Rumelya. I had - hadn’t I? - moved from my position on the veve. I walked back and forth, left and right, attempting to fall off as I had the first time. To no avail. Then, just as had happened beneath the turret of Ghazes, I recalled the necessary function of my suit, that it acted to orient me within the geomagnetic field. I reached up and felt the connections in the air. Again, the mystic experience of transition. It was losing its impact, and I remember thinking during transit that such depersonalized ecstasy might grow boring. I found myself back on Junction 14 waving my arms like a man drowning.