Were Ukrainians Nazis?

Simon Wiesenthal

What Happened in Lviv?

Nazi Propaganda Film

Collective Guilt

Paralysis of the Comparative

Function

60 Minutes' Cheap Shots

Ukrainian Anti-Semitism

Jewish Ukrainophobia

Mailbag

A Sense of Responsibility

What 60 Minutes Should Do

PostScript

Nazi Propaganda Film

Historical documentary footage was shown to 60 Minutes viewers and identified as Ukrainians

abusing Jews, and the impression was created that German cameramen happened to come across these

spontaneous outrages and filmed them as they were taking place. This too is a falsification.

The truth is that when the Germans entered Lviv, they made a propaganda film - they gathered up

a handful of street thugs and staged scenes in which mistresses of the recently-fled NKVD were

stripped and "wallowed in the gutter" and collaborators of the recently-fled Communist regime,

some of whom were probably Jewish, were humiliated and roughed up in the street. That several

of the victims are shown naked or half-naked suggests that this was just such a humiliation, and

not an arrest. Certainly, as German cameramen were present, the action must have taken place

after the arrival of the Germans, and as German soldiers are seen to be in attendance, the

action cannot be viewed as having been initiated by Ukrainians. And neither can the action be

interpreted as a pogrom, as the civilians are unarmed and no wounding or killing is recorded; in

fact, in footage 60 Minutes chose not to show, the women can be seen dressing themselves and

leaving the scene:

Several women suspected for collaborating with the NKVD were rounded up by

street gangs organized by the Nazis, stripped naked, then thrown into the

gutters in front of the prison. The event lasted for a few hours.

"While the public humiliation of any female is deplorable, the other photos

in the series show that these women left the scene intact" ... says Katelynksy.

"Moreover," he adds, "this staged outburst of revenge was mild compared

with the "bloody reprisals of the liberated French."

"In 1944 and 1945, countless women were publicly humiliated and over 15,000

of their compatriots were tortured, hanged, or shot for Nazi collaboration in

France. Yet the photographs of these bloody events are, for reasons of

sensitivity, not published by the Western press and the events are rarely

mentioned by historians." (Ukrainian News, Edmonton, March 1993, No. 3)

In short, some and possibly all of the historical footage broadcast by 60 Minutes was not the

Ukrainian populace spontaneously attacking Jews, but rather was street criminals directed by the

Germans to rough up Communist collaborators among whom were probably Jews. It is, therefore,

misleading to represent the scenes as either spontaneous in origin or initiated by Ukrainians or

motivated by Ukrainian anti-Semitism.

What must be kept in mind is that the Nazis had their reasons for making this film: (1) they

were trying to convince Germans back home that Nazi attitudes toward Bolsheviks and Jews were

not uniquely German, but rather were universal; (2) they were demonstrating to the intimidated

Ukrainian population that Bolsheviks and Jews need no longer be feared and that they could be

attacked with impunity; and (3) they were taking a first step toward dragging a handful of

Ukrainians into complicitous guilt.

Bodies on the Ground

One photograph inserted into the middle of these "remnants of a film" was of bodies lying in

rows on the ground. Of course Morley Safer does not identify the photograph - he does not

attribute it to a source, he mentions no date or place. As the photograph is being shown, Mr.

Safer is saying that Simon Wiesenthal "remembers that even before the Germans arrived, Ukrainian

police went on a three-day killing spree." The impression left in the viewer's mind, therefore,

is that these must be some of the 5,000 to 6,000 victims of that killing spree.

Three details of this photograph, however, suggest otherwise: (1) The bodies are shown lying in

snow, whereas the killing spree was supposed to have taken place in the three days before the

German occupation of Lviv on June 30, 1941. (2) The legs of one of the bodies are visible, and

these legs are skeletally thin, which suggests a famine victim and not the victim of a pogrom,

or else suggests that this is an exhumed corpse. If these are in reality famine victims, then

they are more likely to be Ukrainians than Jews. (3) Most of the shapes on the ground resemble

small heaps rather than bodies, which suggests that the photograph is one of exhumed remains

from some old mass grave - and we may reflect that in June 1941 (if that was when this

photograph was taken), the inhabitants of Ukraine's many mass graves were predominantly

Ukrainians and not Jews. Thus, there is a very real possibility that Morley Safer is using a

photograph of Ukrainians killed by Jews as evidence of Jews killed by Ukrainians.

The Wallowing Photograph

The last scene of this Nazi propaganda footage that was presented by Morley Safer has a

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