Few other scientists paid much attention to hypnagogic visions until the 1950s, when Peter McKellar and his colleagues started what was to be a decades-long investigation of near-sleep hallucinations, making detailed observations of their content and prevalence in a large population (the student body at the University of Aberdeen) and comparing them with other forms of hallucination, especially those induced by mescaline. In the 1960s, they were able to complement their phenomenological observations with EEG studies as their subjects passed from full wakefulness to a hypnagogic state.

More than half of McKellar’s subjects reported hypnagogic imagery, and auditory hallucinations (of voices, bells, or animal or other noises) were just as common as visual ones. Many of my own correspondents also describe simple auditory hallucinations: dogs barking, telephones ringing, a name being called.

In his book Upstate, Edmund Wilson described a hypnagogic hallucination of a sort that many people share:

I seem to hear the telephone ringing just before I am completely awake in the morning. At first, I would go to answer it, but find that it was not ringing. Now I simply lie in bed, and if the sound is not repeated, I know that it is imaginary and don’t get up.

Antonella B. hears music as she is falling asleep. The first time it happened, she wrote, “I heard a really nice classical piece, played by a big orchestra, very complex and unknown.” Usually, no images accompany her music, “just beautiful sounds that fill my brain up.”

Susan F., a librarian, had more elaborate auditory hallucinations, as she wrote in a letter:

For several decades, just as I am drifting off to sleep, I have heard sentences uttered. They are always grammatically correct, usually in English, and usually spoken by a man. (On a few occasions they were spoken by a woman and once in a language I could not understand. I can recognize the differences between the Romance languages, Chinese, Korean, Japanese, Russian, and Polish, but it was none of these.) Sometimes the sentences are commands, such as “Go get me a glass of water,” but at other times they are just statements or questions. During the summer of 1993, I kept a log of what I heard. Here are some of the sentences: “Once he was walking in front of me”; “This is yours, perhaps”; “Do you know what the photo looks like?”; “Mama wants some cookies”; “I smell the unicorn”; “Go get a shampoo.”

What I hear bears no relationship to what I have read, seen, experienced or remembered on that day, previous day, week or year. Frequently when my husband is driving and we are on a long trip, I will nod off in the car. The sentences come very rapidly then. I will nod off for a second, hear a sentence in the twilight of waking, repeat the sentence to my husband, and then nod off again, hear another sentence in the twilight and so on, until I decide to wake up and stay awake.

In Speak, Memory, Nabokov provided an eloquent description of his own hypnagogic imagery, both auditory and visual:

As far back as I remember . . . I have been subject to mild hallucinations. . . . Just before falling asleep, I often become aware of a kind of one-sided conversation going on in an adjacent section of my mind, quite independently from the actual trend of my thoughts. It is a neutral, detached, anonymous voice, which I catch saying words of no importance to me whatever—an English or a Russian sentence, not even addressed to me, and so trivial that I hardly dare give samples. . . . This silly phenomenon seems to be the auditory counterpart of certain praedormitary visions, which I also know well. . . . They come and go, without the drowsy observer’s participation, but are essentially different from dream pictures for he is still master of his senses. They are often grotesque. I am pestered by roguish profiles, by some coarse-featured and florid dwarf with a swelling nostril or ear. At times, however, my photisms take on a rather soothing flou quality, and then I see—projected, as it were, upon the inside of the eyelid—gray figures walking between beehives, or small black parrots gradually vanishing among mountain snows, or a mauve remoteness melting beyond moving masts.

Faces are especially common in hypnagogic hallucinations, as Andreas Mavromatis emphasizes in his encyclopedic book Hypnagogia: The Unique State of Consciousness Between Wakefulness and Sleep. He cites one man who described this in 1886; the faces, he wrote,

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