June 17, 2008. The situation is getting more and more difficult. The defenders have been deprived of their makeshift telescopic arm, and now their bunker is shipping water everywhere—both figuratively and literally. As soon as the SS have two entry points, added to the danger posed by the vent, the parachutists realize it’s all over. They’re screwed and they know it. They stop digging, if they haven’t already, and concentrate entirely on shooting their enemies. Pannwitz orders a new attack through the main entrance while grenades are thrown into the crypt and another man tries to get down through the trapdoor. Inside the crypt, the Stens spray bullets at the assailants. It’s total chaos. It’s the Alamo. And it goes on and on, and it doesn’t end, it comes from all sides, through the trapdoor, down the stairs, through the vent; and while the grenades fall in the water and don’t explode, the four men empty their guns at everything that moves.
June 18, 2008. They come to their last clip, and it’s the kind of thing that you grasp very quickly, I suppose, even (perhaps especially) in the heat of battle. The four men don’t need to speak. Gabčík and his friend Valčík smile at each other—I’m sure of that, I can see them. They know they’ve fought well. It’s noon when four dull explosions pierce the tumult of gunfire, which stops immediately. Silence falls once again on Prague, like a shroud of dust. The SS are like statues: nobody dares fire, or even move. They wait. Pannwitz stands rigid. He signals to an SS officer, who hesitates—where is the manly confidence that he ought, by law, to show in all circumstances?—then orders two of his men to go and see. Carefully, they descend the first few steps. Then, like two little boys, they stop and look back up at their commander, who signals that they should continue—
It is noon. It has taken eight hundred SS stormtroopers nearly eight hours to get the better of seven men.
I am coming to the end and I feel completely empty. Not just drained but empty. I could stop now, but that’s not how it works here. The people who took part in this story are not characters. And if they became characters because of me, I don’t wish to treat them like that. With a heavy heart—and without turning it into literature, or at least, without meaning to—I will tell you what became of those who were still alive on June 18, 1942.
When I watch the news, when I read the paper, when I meet people, when I hang out with friends and acquaintances, when I see how each of us struggles, as best we can, through life’s absurd meanderings, I think that the world is ridiculous, moving, and cruel. The same is true for this book: the story is cruel, the protagonists are moving, and I am ridiculous. But I am in Prague.
I fear that I am in Prague for the last time. The stone ghosts that people the town surround me, as always, with their threatening, welcoming, or indifferent presences. I see a young woman’s body, like an evanescent sculpture, with brown hair and white skin, pass under the Charles Bridge: a summer dress clings to her stomach and her thighs, the water streams over her bared chest, and on her breasts magical incantations are vanishing. The river water washes the hearts of men taken by the current. From Liliova Street I hear the echo of horses’ hooves striking the cobbles. In the tales and legends of old Prague, the city of alchemists, it’s said that the Golem will return when the city is in danger. But the Golem did not come back to protect the Jews or the Czechs. Nor, frozen in his centuries-old curse, did the iron man move when they opened Terezín, or when they killed people, when they despoiled, bullied, tortured, deported, shot, gassed, executed them in every conceivable way. By the time Gabčík and Kubiš landed, it was already too late. The disaster had occurred; there was nothing left to do but wreak vengeance. And it was stunning. But they, and their friends, and the Czech people, paid dearly for it.