HHhH: A Novel полностью

In German, Nachrichtenoffizier means “transmission officer,” while Nachrichtendienstoffizier means “intelligence officer.” It’s because Himmler, notoriously ignorant about all things military, makes no distinction between these two terms that Heydrich—who used to be a transmission officer in the navy—is sitting opposite him today. In fact, Heydrich has practically no experience of intelligence. And what Himmler is asking him to do is nothing less than to create within the SS an espionage service that can compete with the Abwehr of Admiral Canaris, Heydrich’s old navy boss. Now that he’s here, Himmler expects him to outline his vision for the project. “You have twenty minutes.”

Heydrich does not want to be a sailing instructor all his life. So he concentrates hard and gathers together everything he knows about the subject. This is limited mainly to what he’s remembered from the English spy novels he’s been reading for years. What the hell! Heydrich has figured out that Himmler knows even less about intelligence than he does, so he decides to bluff. He sketches out a few diagrams, taking care to use lots of military terms. And it works. Himmler is impressed. Forgetting his other candidate, the Weimar double agent, he hires the young man for a salary of 1,800 marks per month, six times more than he’s been earning since being kicked out of the navy. Heydrich is going to move to Munich. The foundations of the sinister SD are laid.

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SD: Sicherheitsdienst, the security service. The least-known and the most sinister of all Nazi organizations. Including the Gestapo.

To begin with, though, it’s just a small, underfunded agency: Heydrich keeps his first files in shoe boxes, and has only half a dozen agents. But already he’s got into the spirit of intelligence work: know everything about everyone. Without exception. As the SD extends its web, Heydrich will discover that he has an unusual gift for bureaucracy, the most important quality for the management of a good spy network. His motto could be: Files! Files! Always more files! In every color. On every subject. Heydrich gets a taste for it very quickly. Information, manipulation, blackmail, and spying become his drugs.

Add to this a rather childish megalomania. Having got wind that the head of the British intelligence service calls himself M (yes, like in James Bond), he decides in all seriousness to call himself H. It is in some ways his first proper alias, before the great era of nicknames: “the Hangman,” “the Butcher,” “the Blond Beast,” and—this one given by Adolf Hitler himself—“the Man with the Iron Heart.”

I don’t believe that “H” ever became a popular nickname among his men (they preferred the more graphic “Blond Beast”). There were too many eminent Hs above him, creating the risk of some regrettable mix-ups: Heydrich, Himmler, Hitler … he must have dropped this childish affectation himself, out of prudence. But H for Holocaust … that might very well have worked as the title of a bad biography.

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Natacha flicks through the latest issue of Magazine littéraire, which she kindly bought for me. She stops at the review of a book about the life of Bach, the composer. The article begins with a quote from the author: “Has there ever been a biographer who did not dream of writing, ‘Jesus of Nazareth used to lift his left eyebrow when he was thinking’?” She smiles as she reads this to me.

I don’t immediately grasp the full meaning of the phrase and, faithful to my long-held disgust for realistic novels, I say to myself: Yuk! Then I ask her to pass me the magazine and I reread the sentence. I am forced to admit that I would quite like to possess this kind of detail about Heydrich. Natacha laughs openly: “Oh yes, I can just see it: Heydrich used to lift his left eyebrow when he was thinking!”

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In the imagination of the Third Reich’s sycophants, Heydrich has always exemplified the Aryan ideal—because he was tall and blond and he had fairly delicate features. In the more gushing biographies he is generally described as a handsome man, a charming seducer. If they were honest—or less blinded by the dark fascination they feel for everything to do with Nazism—they would see, by looking more closely at the photos, not only that Heydrich was no oil painting but that he also had certain physical traits that are hardly compatible with the demands of Aryan classification: thick lips, admittedly not without a certain sensuality, but of a type that might almost be described as negroid, and a long prominent nose that could easily pass as hooked if it belonged to a Jew. Add to this a pair of large and fairly stuck-out ears and a long face generally agreed to look a bit horsey, and you obtain a result that, while not necessarily ugly, falls way short of Gobineau’s ideal.*

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