The coronation was fixed for 30 October, and a parliament summoned for 7 November. It was proclaimed before the Lords and Commons that the reign of Henry had begun on 21 August, the day before the battle of Bosworth; by this sleight of hand Richard could be accused of high treason for opposing his sovereign lord even though he had at the time been the lawful king. The statute book has rarely contained any greater absurdity. Henry also desired to be crowned before the parliament convened because he did not wish it to be believed that his regal authority had been conferred by the assembly; what parliament could make, it might also unmake.
But by what right did Henry claim and hold the crown? It was not from the fact of birth. He derived all right of birth from his mother and, since she was still alive, the throne ought to have been hers. His promise to marry Elizabeth of York, thus finally uniting both principal families, was by no means sufficient or even appropriate; it might mean that he was crowned only because of his association with the house of York. If Elizabeth of York had died before him without issue, he might theoretically have to leave the throne and give place to the next in succession. It was not to be considered. That is the reason he postponed the wedding until after the coronation. He had to be king before he became husband.
The essential justification for his assumption of rule was simply that he had won on the field of Bosworth; the god of battles had blown Richard away. Victory was always seen to be a sign of divine favour, although the bewildering number of surprises and reversals in the feuds of the Wars of the Roses had led some to question that belief. The crown had changed by force five times in the preceding thirty years, and so its bestowal might be seen as a question of luck rather than of grace. The passing of the defeated king was not mourned; but the new king was a usurper whose rule might be endured rather than enjoyed. The power and significance of the crown itself might be considered to be a little tarnished. There was no sense of a glorious dawn. Eventually the king felt obliged to ask for a bull from the pope to guarantee his authority.
As king, therefore, Henry was not secure. Only in the last ten years of his reign did he achieve that happy state. He had spent his life in exile, and had little if any acquaintance with England and the English. He had never been involved in government, and had owned no great territories of English land. He was happier speaking French. The great families of the country could hardly have considered him to be one of their own, and had for the most part stayed out of his struggle with Richard. They were in effect neutral observers of his ultimate victory. Only two nobles fought with him at Bosworth and they, like him, were exiles. So at the age of twenty-eight he took up the burden of kingship without preparation or instruction.
He had to build up his support piece by piece. He was always cautious and circumspect, characterized equally by reserve and by suspicion. At the time of his coronation he established a royal bodyguard of 200 men, known as the yeomen of the guard; they wore jackets of white and green and carried weapons, part spear and part battleaxe, known as halberds. These men were the origin of the standing army of a later generation. Henry was emulating the French king, who had his own personal bodyguard; in this, as in other matters, he took the French court as his model. It was the one he knew best. He also extended his defences by other means, and sent garrisons to Plymouth and to Berwick in case of possible invasion.
He clothed himself in the mantle of pomp and power as a way of disarming any opposition to his rule. He claimed that he was descended from Brutus, the Trojan founder of London, and he identified himself with the supposedly saintly Henry VI. He spent much time and effort in an attempt to have the dead king canonized. He was the first king of England to put a stamp of his true image on the coinage of the country; the silver shilling showed him in profile, while the gold sovereign bore an image of him seated in majesty on a Gothic throne with the crown imperial upon his head. It was one of the many images of his ‘majesty’ popular during his reign. Despite his alleged parsimony he spent profusely on the magnificence of a court that became notable for its ceremonies and displays. He also refurbished the royal image by introducing the motif of the white and red roses intertwined as a symbol of regal unity. The red rose had never been a very important emblem for the Lancastrians, but it was of use to Henry as a device. So began the myth of Tudor renovation that was celebrated by Holinshed and Shakespeare.
