The highways glowed with reflected river light that molded the valleys of her waist, swept North and South over her wide hips, dropped over shapely legs to capture her ankles in neon slave bracelets, terminated in the re~ flection of pinpoint light glowing from high-heeled slippers on slick wet asphalt.
There she was-the city.
Rushing with the night and the sound of the night, sucking in wild air through parted lips, her eyes glowing bright, bright with the fever of the tempo, Friday night, and the city clasped the weekend to her breasts, held the weekend close in a desperate embrace.
A woman was the city, a beautiful woman with life in her loins and treachery '~ in her heart, an exciting woman with a dagger behind her back in long white fingers, a gentle woman who sang for4 - ~U~1LIIJLt. ~.~jiyuns, a woman if love and a woman of hate, a woman fondled by eight million people who had tasted the pleasures of her body and knew her well and hated her with a deep abiding love.
Fight million people.
Geoffrey Tamblin was a publisher.
He published textbooks. He had been in the racket for thirty-two years, and now-at the age of fifty-seven-he considered himself a knowledgeable guy who knew all the ins and outs of the racket.
Geoffrey Tamblin never called it "the publishing game." To Tamblin, it was "the racket," and he hated it passionately. The thing he particularly despised about the racket was the publishing of books about mathematics. These he detested. His rancor probably went back to a high-school course in Geometry conducted by an old poop named Dr. Fanensel. He was unable to decide, at the age of seventeen, whether he hated Geometry more than Dr. Fanensel, or vice versa. Now, forty years later, his hatred had grown admirably to include all mathematics and all teachers and students of mathematics. Plane Geometry, Analytic Geometry, Algebra, Differential Calculus, and even Long and Short Division fell into the sphere of Tamblin's hatred.
And the terrible part of it all was that his firm published a great many mathematics texts. In fact, the largest percentage of his list was devoted to books about mathematics. Which was why Geoffrey Tamblin had three ulcers.
One day, Tamblin thought, I will stop publishing textbooks, and especially mathematics texts. I'll bring out slim volumes of poetry or criticism. Tamblin Books will begin to mean beautiful books.
No more "Given X equals 10, and Y equals 12, what then does / A equal?" No more "Log C equals Log D, therefore …" No more ulcers.
He felt a twinge even thinking about his ulcers.
Poetry, he thought. Slim beautiful volumes of poetry. Ah, that would be wonderful. I'll move to the suburbs and run the firm from there. No more subways. No more rushing. No more schedules. No more crumby editors fresh from Harvard with Phi Beta Kappa keys hanging on their weskits.
No more disgruntled artists drawing triangles when they want to be drawing mines. I no more doddering professors bringing their creaky goddamn texts into my office. Only beautiful slim volumes of poetry written by young slim girls with golden hair. Ahhhhhh.
Geoffrey Tamblin lived on Silvermine Road at the outer fringes of the 87th Precinct. Every evening, he walked from his office on Hall Avenue in midtown Isola to the subway a block north. He rode the subway up to, Sixteenth, disembarked, and then walked toward his apartment house through a neighborhood which had once been beautiful and quite elite. Now, the neighborhood was going, everything was going, it was the fault of mathematics. The world was reducing everything to simple formulas, there was no reality any more except the reality of mathematics. X times infinity equals a hydrogen explosion. The world would not end in fire-it would end in mathematical symbols.
The neighborhood even smelled bad now.
Empty lots strewn with rubble, garbage thrown from windows, street gangs wearing bright silk jackets and committing murder while the policemen slept, gangsters, all gangsters who were more interested in the mathematics of a crossword puzzle than in human decency. I've got to get out of this, ~ poetry, where is all the poetry in the world?
I'll walk past the park tonight, he thought.
The thought excited him. There was a time, before he'd become involved with a world of X's and Y's, when Geoffrey Tamblin could walk the paths of Grover Park and stare up at an orange ball of moon and know with certainty that the city was a place of romance and mystery. Now-with three ulcers-he thought only that he could not walk through the park because of potential muggers, he would have to walk past it-on Grover, Avenue. And still, the thought excited him.
He walked rapidly, thinking of poetry, noticing the ~ mathematical precision of the green globes hanging outside the police station across the street. 87. Figures. ~ Always figures.
