To which last we are distressed to have had no reply, whether because it never reached you (we know the P.O. to be infested with anti-Bonapartists, in high places as well as low: vide the “American Indian” Commemorative of Nov. 4 last, which not ingenuously passed over the noble nations of the Iroquois in favor of the Nez Percé, an idle swarm of dope-smoking savages) or because the Mensch-Prinz cabal have persuaded you against us. A prompt response from you in the matter of our proposed action is imperative, since the statute of limitations will run on August 5, and he must RESET Meanwhile, given our uncertainty both of your position and of the confidentiality of our correspondence, we are torn between our wish neither to repeat ourselves nor to divulge promiscuously details of the status of the NOVEL project, and on the other hand our concern to get on with the neutralization of our enemies and to keep our benefactors apprised of the fruits of their patronage. We are therefore attaching a copy of our latest ultimatum to the Defendant, and will summarize in only the most general way the results of our recent work periods, which summary we trust you will pass on to Mr. Drew Mack and the Tidewater Foundation.
Our objective for the 2nd year (1967/68: Year O) of LILYVAC’s 5-Year Plan was to modify and extend the capacities of LILYVAC I with the aid of a renewed Foundation grant; then to reprogram LILYVAC II with data for the Complete & Final Fiction, to the end of producing an abstract model of the perfect narrative, refined from such poisoned entrails and crude prototypes as are now RESET Pursuant to this objective, in the late spring of 1968 (we were, you remember, still recuperating through the fall ’67 work period from the attempted assassination of Ms. Bernstein and ourself in May of that year), Merope and we supplied LILYVAC II with all the entries in Professor Thompson’s Motif-Index of Folk-Literature, together with such reference works as Masterplots and Monarch Notes; also the complete holdings in fiction of Lily Dale’s Marion Skidmore Library and the collected letters of the Fox sisters (true visionaries, unlike those wrongly commemorated Pierced Noses), certain rare but standard treatises on the Golden Ratio and the Fibonacci Series, and a list of everything in the world that comes in 5’s. By the 5th day of the 5th month of that year (the anniversary, by no coincidence, of the Emperor’s pretended death on St. Helena), LILYVAC generated its 1st trial model, a simple schema for the rise and fall of conventional dramatic action, sometimes called Freitag’s Triangle—
— in which AB represents the “exposition” of the conflict, BC the “rising action,” or complication, of the conflict, CD the climax and dénouement, DE the “wrap-up” of the dramatic resolution. You can supply for yourself the revolutionary “allegory” at the heart of these ostensibly literary concerns. By May 18, the Emperor’s coronation day, we had already progressed to a “Right-Triangular Freitag”—
— and by George III’s birthday to a “Golden-Triangular Freitag”—
— which prescribed exactly the ideal relative proportions of exposition, rising action, et cetera, the precise location and pitch of complications and climaxes, the RESET By June 18, the last week of the spring work period, we had our perfected model, which of course we cannot entrust to the mails.
Finally, we secured per program a toad that under cold stone days and nights had 31 RESET We then betook ourselves to rest, leaving to faithful Merope the simple if exacting task of working out with LILYVAC the historical-political analogues of our progress thus far. It was during this period that LILYVAC’s aforementioned tendency to self-mimicry was most vexingly displayed: e.g. RESET Which nigger in the ointment we have countered provisionally with an “editorial” program-amendment to recognize and RESET Just as we have programmed it to avoid or scrupulously delete any reference whatever to
