Your wicked stepdaughter ha ha! Mr Bray cries feverishly to the recoiling Bea, with whom he is clearly smitten and whom he fears he has alienated. Footage. He didn’t hurt Ms Bernstein, he swears now; he only sort of spanked her for ruining his life’s work; put a bit of a scare into her, don’t you know. After all, she did save his life once; no doubt she was led astray in good faith; oh, they shall pay! He shall not rest till he has made it up to her — to Bea, for whom now he openly declares his adoration — for having chastised her ex-stepdaughter, however deservedly. They must go together, at once, to the Farm: he is a friend of Mr Horner there; he will declare to Ms Bernstein in her former stepmother’s presence that though with the best of intentions she has blighted his life and at least postponed the New Golden Age, and though he durst never trust her again with the LILYVAC programme, he harbours her no ill will and in the blessed name of her (ex-)stepmother forgives her his irreparable betrayal.
I summarise. With the greatest difficulty we got out of there — never did see the famous “printout” Bray claims to have been spoilt by Ms B. — back to Chautauqua; thence, Ambrose and I on the Friday, back Home. I do not envy Bea Golden her new admirer! Bray declares he will Put Things Right for her sake; that he will follow her to Fort Erie, to Maryland, anywhere she goes, let the goats fend for themselves; that with her aid and inspiration he may yet solve the Riddle of LILYVAC II and get the 5-Year Plan back on schedule before the “Phi-Point” of his life…
Ambrose finds him both frightening and fascinating: the Phi-Point, did he say? Point six one eight etc.? Bea finds him merely frightening, and threatens legal action if he attempts to follow her across either Peace Bridge or Bay Bridge. She was never close to Mel Bernstein’s daughter, she tells us now, whose mother of course had the custody; she thinks it possible Merry doesn’t even recognise her with her new name, any more than she Bea recognised her; but she cannot account for the coincidence. Ambrose cannot either, and worries for the ladies’ safety.
Castine, Castine, I assure him: there is the very god of Coincidence. Bea has but to place herself under his ubiquitous protection, as “Pocahontas” has evidently placed herself under “M. Casteene’s.”
He will thank me, says Ambrose, not to speak of his own prior incarnation. Jee-sus, what a week! And though it included that dismaying reencounter with Marsha (Did I see what he’d meant? Those thin-plucked eyebrows; the cold eyes under them; the mean turn of her jaw; the featureless regularity of those features he’d once thought attractive, then come to find empty of character, and now saw as the very stage mask of Vindictiveness… I said nothing), not to mention the grave tidings from Magda re his mother — despite all, it had been a long while since he’d felt so potent…
Oh really.
Yes, well, he meant that way too, and we’d see, we’d see. But what he really meant was Musewise: the Perseus story was clipping along in first draft; he was delighted with the conceit, equally with the execution; it made him feel Writer enough to more than hold his own with Reg Prinz, whose movie he thought he now quite understood and rather relished. He took my arm (we were on the United flight down from Buffalo to Baltimore): no doubt it had been a rough week for me, on more than one front. Aye, said I. He daresaid there would be rougher weeks ahead. O joy, said I. What he meant was that his new “ascendancy,” whether real or set up by Prinz, would doubtless provoke an escalated retaliation. He told me frankly then what was pretty obvious anyroad: that while he regarded our connexion as Central, and central to it his desire not only to impregnate but to wed me straightway thereupon, he was determined by the way to make conquest of Bea Golden if he could. It was a kind of craziness, no doubt (Yup, says I), a playing of Prinz’s game. Just for that reason he meant to do it; beat the man at his own game; out-Prinz him.
Hum, says I. You could help, you know, says he. Forget it, says I: I’m sorry your mum’s dying; I’m happy you’ve done with that Marsha Blank, and happier yet your muse is singing along. If that gives you a leg up on Prinz and his nutty movie, well and good. But I shan’t pat you on the head for making a fool of me, with Bea Golden or generally; and to suggest I pander to your billygoatery is bloody sick if you ask me.
