Ho hum, said I, and toddled off to sleep. Whereupon that simpleminded dramaturge, my subconscious, contrived to dream that all my letters to you after the first one — not excluding this, whose sentences were already forming in my mind as I fell asleep — are in fact from the pen of our common friend Ambrose Mensch, whose Middle-aged English Et Cetera does not exist!

Good old subconscious. But now it’s I am awake, and he asleep: rest assured these pages are not from our Ambrose, but from,

As ever, your

Germaine

P.S.: Speaking of authors: I have I believe now gone quite through your published oeuvre, sir, per program: a book a month since March. What am I to read in August? In September?

V: Lady Amherst to the Author. Distress at Mensch’s Castle.

23 August 1969

Dear J.,

Vanitas vanitatum, etc. Our “mutuality” persists, thank God, Ambrose’s and mine, but our Niagara idyll seems already washed a world away by the flood of domestic emergencies we came home to. As Hurricane Camille douched Dixie (with Debbie supersaturating right behind her), so any concern of ours for “Bea Golden” and Marsha Blank, Jerome Bray and Reg Prinz, was first drowned by Ambrose’s mother and then redrowned by his brother.

I write this from the waiting room of Dorchester General Hospital, lately our home away from home. What the four of us presently await (Magda and Angie are here too) are the final laboratory-test results and diagnosis of Peter’s case. He has been confined here since Wednesday. We wish he had let us fetch him to Johns Hopkins instead, but are relieved that he is — at least and at last — in hospital. The news we await cannot be good; we may hope only for less than the worst. That Peter is here at all, you understand, implies—

Grief drops the stitches of my story. We flew home last Saturday evening, went directly to the Menschhaus, learned that Mensch mère was comatose next door in the D.G.H., found Peter chairbound with immobilising pain in both his legs (for which he would take nothing stronger than aspirin), Angela frightened into such regression that only the family totem and pacifier of her childhood, the famous Oberammergau Easter egg, kept her from bouncing off the Lighthouse walls — and Magda serene, serene, serene.

She embraced me first, her eyes all one question (Nope, no period yet. Yup, a few other signs). Serenely weeping, she made us tea and briefed us on the family crises: Andrea had lapsed into coma the day before and was not expected to revive; her death was anticipated hourly, but Mensch’s Castle being so close by, her nurses had agreed to send instant word across the street when her vital signs took their final turn. Peter’s condition, whatever it is, had worsened at an alarming rate: from a slight hobble in his left leg, to a severe one with hip and knee pain, to disabling pain in both limbs, all since the first of the month. Peter himself growled good-humouredly of “arthuritis,” his stubbled face taut. But could mere arthritis proceed so rapidly, in a man not 45? And there was backache, and dull headache; even (so Magda thought, serenely tearful) some loss of hearing. Yet he held fast to his resolve, to “wait for Ma.”

On St Helena’s Day (Monday last, the 18th), whilst Camille was levelling Mississippi, Andrea King Mensch died. As it happened, we were all present except Peter and Angela: when in the forenoon her life signs took an unanticipated upward swing and she seemed stirring from her coma, we had been summoned. Andrea had of course that Edvard Munch look of the terminally cancerous, together with the complications of inanition: she was shrunk and waxy, nearly hairless, bedsored, foul-odoured from necrosis, all I.V. and air pipes going in and catheters coming out — it was poor Jeffrey in ’65, at once heartbreaking and gorge-raising.

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