Lightspeed: Year One полностью

“I’ll see some of you on the other side. The rest, fear not, for you witnessed the next leap in human evolution, when mankind became his own God,” Blunder says as static whines. ”We’ll be calling lottery numbers throughout the day. Remember, transgressors will be shot and stored as protein, so please Respect your Authority, and stand by.”

Sarah picks a path through the prostrate bodies. There are 2,104 colonists; 1,693 have surrendered their names for numbers and logged into her greenly-lit sick bay. Some occupy gurneys; others lean against walls or curl themselves fetal. She piles her tray with needles and liquid Valium. They’ll need it today because she gets the feeling that their luck is an upside-down horseshoe, all run out.

She calibrates, measures, injects. It’s routine by now. There’s no medicine left except for this. All day, all night, it’s Flick!-Puncture!-Squirt! Then move on to the next. And the next. And then next. Each have numbers branded against their foreheads. It’s best to look there, and not in their eyes.

Flick!-Puncture!-Squirt!-Move on!

Flick!-Puncture!-Squirt!-Move on!

Sarah stops paying attention at patient thirty-four, and almost gives the guy an air bubble heart attack. He wouldn’t notice—he’s insane. You can tell which patients have Black Betty’s Disease, because they’ve got no whites to their eyes. It’s like their souls are drowning.

Flick!-Puncture!-Squirt!-Move on!

Flick!-Puncture!-Squirt!-Move on!

Best not to think about the Hepatitis she’s spreading. Or worse. It’s a mercy, she tells herself when she gets to patient 342, who’s just eight years old, with impossibly knobby knees.

Flick!-Puncture!-Squirt!

He looks up at her with eyes that are entirely black, and there is movement between pupil and iris. There is something swimming in there, trying to break out.

“It’s really happening. They’ve started,” Sarah’s husband Joe Vaughan calls as he enters the sick bay wearing heavy boots that suction the slurried ground. His fine, blonde hair floats like jellyfish strands in this diminished gravity.

“Blunder went first, of course,” Joe continues. His voice sounds far away, but it echoes, too, so the words collapse on each other like overlapping Venn Diagrams. “He’s in the machine. The hard scientists are next, then they say we’re up.”

“Oh, Christ,” Sarah answers. “I’m not ready. Are you?” Though Blunder has the textbook knowledge, he wants her life experience as a physician in the system. He’s promised to upload her family, too. But this close to the end, nothing is certain.

Joe hops up and down a couple of times. His boots make a slurping sound, and the image of him blurs as if he’s moving extra fast. Quite literally, he’s not the man she married. The closer they get to Black Betty, the more it messes with the chemistry of their brains. Like a magnet pressed against a head full of metal.

“We’d better get to the engine room with the kids. They’ve already shot some line cutters. There’s going to be a riot,” Joe says.

Sarah looks at her tray of meds, and across the room, too. She flicks on the sick bay’s satellite viewer, which shows images of space and of Earth.

It’s shocking, how quickly the planet has changed . . . Unfathomable quantities of garbage spin like Saturn’s rings around the Earth’s fattened waist. Sea water laps the continents; across Central America, the Atlantic and Pacific Oceans kiss.

Joe reaches the knobs, and sharpens in on Scottsbluff, Nebraska, where they used to live. A lone wanderer wearing an atmosphere suit scavenges through a drifting pile of husked wheat from a broken silo, but the grain pelts him hard and fast. It’s like sand slipping through his fingers.

Joe puts his arm around her, and, with their eyes, they follow the wheat through the air, and into space, and finally, through Black Betty.

“Hand me the Valium, will you?” Sarah asks.

Joe squints with bad eyes until he finds the proper bottle. He’s been eating carrion; Sarah suspects prion infection.

“We could wind-up stuck inside Second Coming, part of the machine,” Sarah says. “It might be better to die.”