Want of breath brought the impromptu ball to a close, and then people began to go.
“I wish you well, my dear, I heartily wish you well; but I think you’ll be sorry for it,” said Aunt March to Meg, adding to the bridegroom, as he led her to the carriage, “You’ve got a treasure, young man, see that you deserve it.”
“That is the prettiest wedding I’ve been to for an age, Ned, and I don’t see why, for there wasn’t a bit of style about it,” observed Mrs. Moffat to her husband, as they drove away.
“Laurie, my lad, if you ever want to indulge in this sort of thing, get one of those little girls to help you, and I shall be perfectly satisfied,” said Mr. Laurence, settling himself in his easy chair to rest after the excitement of the morning.
“I’ll do my best to gratify you, sir,” was Laurie’s unusually dutiful reply, as he carefully unpinned the posy Jo had put in his buttonhole.
The little house was not far away, and the only bridal journey Meg had was the quiet walk with John from the old home to the new. When she came down, looking like a pretty Quakeress in her dove-colored suit and straw bonnet tied with white, they all gathered about her to say good-by, as tenderly as if she had been going to make the grand tour.
“Don’t feel that I am separated from you, Marmee dear, or that I love you any the less for loving John so much,” she said, clinging to her mother, with full eyes for a moment. “I shall come every day, Father, and expect to keep my old place in all your hearts, though I
They stood watching her, with faces full of love and hope and tender pride as she walked away, leaning on her husband’s arm, with her hands full of flowers and the June sunshine brightening her happy face – and so Meg’s married life began.
It takes people a long time to learn the difference between talent and genius, especially ambitious young men and women. Amy was learning this distinction through much tribulation, for mistaking enthusiasm for inspiration, she attempted every branch of art with youthful audacity. For a long time there was a lull in the “mud-pie” business, and she devoted herself to the finest pen-and-ink drawing, in which she showed such taste and skill that her graceful handiwork proved both pleasant and profitable. But overstrained eyes soon caused pen and ink to be laid aside for a bold attempt at poker sketching.[138]
While this attack lasted, the family lived in constant fear of a conflagration, for the odor of burning wood pervaded the house at all hours, smoke issued from attic and shed with alarming frequency, red-hot pokers lay about promiscuously, and Hannah never went to bed without a pail of water and the dinner bell at her door in case of fire. Raphael’s face was found boldly executed on the underside of the moulding board, and Bacchus[139] on the head of a beer barrel; a chanting cherub adorned the cover of the sugar bucket, and attempts to portray Romeo and Juliet supplied kindlings for some time.
From fire to oil was a natural transition for burned fingers, and Amy fell to painting with undiminished ardor. An artist friend fitted her out with his castoff palettes, brushes, and colors, and she daubed away, producing pastoral and marine views such as were never seen on land or sea. Her monstrosities in the way of cattle would have taken prizes at an agricultural fair, and the perilous pitching of her vessels would have produced seasickness in the most nautical observer, if the utter disregard to all known rules of shipbuilding and rigging had not convulsed him with laughter at the first glance. Swarthy boys and dark-eyed Madonnas, staring at you from one corner of the studio, suggested Murillo; oily-brown shadows of faces with a lurid streak in the wrong place, meant Rembrandt; buxom ladies and dropsical infants, Rubens; and Turner{8} appeared in tempests of blue thunder, orange lightning, brown rain, and purple clouds, with a tomato-colored splash in the middle, which might be the sun or a buoy, a sailor’s shirt or a king’s robe, as the spectator pleased.
