She wrenched loose, aware she was ruining her jacket, and turned in time to see a black shape being hauled into a silver car. At the same time someone leaned through the passenger window and pointed something at her. While she dropped behind the nearest car bits of wall flaked from Roddy Ho’s house, and chips flew from his door. Shirley could feel the pavement against her cheek, smell the filth in the gutter. A car door slammed, and the vehicle moved. When she risked a look she saw something bounce off its roof – a blue plastic bottle? – but it was gone a moment later, a diminishing wraith amid the fuzzy glows that hang around lamp posts at two in the morning. She shook her head and rubbed her cheek, feeling the latter beginning to swell. Another chunk of glass fell loose, and shattered on the ground.
When she looked up, Lamb was scowling down at her, his bare chest and shoulders carpeted with greying curls.
‘Ten out of ten for attendance,’ he said. ‘But
Then he withdrew, leaving shards of the night still falling from the sky.
IT BEGAN TO RAIN that morning, about the time London was coming to life; a series of showers that rolled across the city, reminding its inhabitants that summer wasn’t a promise, merely an occasional treat. The skies loomed grey and heavy, and buildings sulked beneath their weight. On the streets traffic played its wet-weather soundtrack, a symphony of hissing and slurring against a whispered backbeat of wipers, and in Slough House there was a muted atmosphere, because rain on office windows is a sad and lonely affair, and life in Slough House was hardly a barrel of laughs to begin with.
The car that pulled up on Aldersgate Street was black, as befitted the general mood, and sleekly rejoined the flow as soon as Diana Taverner alighted. She ignored its departure, as she had its driver throughout their shared journey; stared instead at Slough House’s front door, which was also black, or had been – was now faded, and almost green around the edges – and shook her head. Any lesser reason than planting a bomb under Jackson Lamb’s backside, she’d not come within a mile of the place. Up above, on a second-storey window, the words
Someone appeared on the next landing, a short broad figure that might have been of either sex. It seemed about to challenge her, but then, evidently realising who she was, retreated back into its room. Which displayed good sense, Lady Di conceded, but didn’t inspire confidence as to the security of the premises.
Onwards and upwards. The staircase grew no cleaner or brighter, and all the office doors were closed.
On the top floor she paused. She knew, though the available doors offered no clues, which would lead to Jackson Lamb: its lower panels were punctuated by toe-cap impressions, the pedal signature of one whose preferred method of entry is the abrupt. She should knock, but wouldn’t. But before her hand had reached the handle, a gravelly tone sounded from inside: ‘Well don’t just stand there.’
She opened the door, and went in.
It was a dark room, cramped, its only window veiled by a venetian blind. A lamp sat on a wobbly-looking pile of thick books, and the shadows it cast didn’t reach the far corners, as if whatever lay back there was best left undisturbed. A print in a smeary-glassed frame was of a bridge somewhere in Europe, while a cork noticeboard, hung lopsidedly, was mostly buried beneath a collage of brittle yellow clippings. And in the air, beneath the taint of stale tobacco smoke, a tang of something older, something furious and unreconciled. Though that was probably just her imagination.
With no great hopes of it working, she flicked the light switch next to the door. All this triggered was a grunt from Jackson Lamb.