There are several contemporaneous prints displaying “The New Gallows in the Old Bailey” with those about to suffer praying or weeping with halters about their necks. Around them, hemmed in by soldiers, are the crowd, who stare up with fascination at the fatal stage. In fact a contributor to
On one occasion, “A few minutes of most dreadful suspense” took place; “the culprits stood gazing at each other … at last the chime struck upon the ear, and the poor fellows seemed startled.” In Defoe’s account of Moll Flanders’s period in Newgate, the sound of the bell of Holy Sepulchre set up “a dismal groaning and crying … followed by a confused clamour in the house, among the several prisoners, expressing their awkward sorrows for the poor creatures that were to die … Some cried for them, some brutishly huzzaed, and wished them a good journey; some damned and cursed those that had brought them to it.”
When Governor Wall was marched from the press yard towards the place of execution, he was greeted with howls of abuse and execration from the other prisoners of Newgate. While the governor of Goree, in Africa, he had been responsible for the death of a soldier by excessive flogging-one of those abuses of authority which Londoners most detest. His appearance on the scaffold was then accompanied by three harsh and prolonged shouts from the crowd assembled in Newgate Street. After the hanging was over the yeoman of the halter offered portions of the rope for sale at one shilling per inch; a woman known as “Rosy Emma,” rumoured to be the yeoman’s wife, “exuberant in talk and hissing hot from Pie Corner, where she had taken her morning dose of gin-and-bitters,” was selling parts of the fatal cord at a cheaper rate.