Despite justified complaints about the standardisation of both beer and the surroundings in which it is drunk, there is at the beginning of the twenty-first century a great deal more variety of public house than at any time in London’s history. There are pubs with upstairs theatres and pubs with karaoke nights, pubs with live music and pubs with dancing, pubs with restaurants and pubs with gardens, theatrical pubs in Shaftesbury Avenue and business pubs in Leadenhall Market, ancient pubs such as the Mitre in Ely Passage and the Bishop’s Finger in Smithfield, pubs with drag-acts and pubs with striptease, pubs with special beers and theme pubs devoted variously to Jack the Ripper, Sherlock Holmes and other London dignitaries; there are gay pubs for homosexuals and pubs for transvestites. And, in more traditional spirit, bicyclists still meet at the Downs, Clapton, where the Pickwick Bicycle Club first met on 22 June 1870.

There is another continuity. Recent surveys suggest that, despite varying levels of intoxication through the twentieth century, Londoners have returned to their old habits. It is now recorded that the average consumption in the city is higher than elsewhere so that according to a Survey of Alcohol Needs and Services published in 1991 “one and a half million Londoners may be exceeding recommended ‘sensible’ levels” with “a quarter of a million drinking at a dangerous level.” So the city manifests, as always, the “immoderate drinking of foolish persons.” The names for drunkards and drunkenness in London are many and various-“soaks,” “whets,” “topers,” “piss-heads” and “piss artists” are “boozy,” “fluffy,” “well-gone,” “legless,” “crocked,” “wrecked,” “paralytic,” “ratarsed,” “shit-faced” and “arse-holed.” They are “up the Monument” or “half seas over”; they are “on a bender,” “out of it” or “off their tits.”

Today’s vagrant drinkers of Spitalfields, Stepney, Camden, Waterloo and parts of Islington, are known as the “death drinkers.” They subsist on a diet of methylated spirits (jake or the blue), surgical spirit (surge or the white) and other forms of crude alcohol. It has been estimated that there are between one and two thousand down-and-out alcoholics in the city; they congregate under arches, in small parks, or on open sites where building has yet to begin; these places are known to their inhabitants by various names such as the Caves, Running Water, or the Ramp. These vagrants themselves have names like No-Toes, Ginger, Jumping Joe and Black Sam; they are covered by scars and sores, blackened by the makeshift fires conjured upon bomb-sites. When they die- as they do relatively quickly-they are interred in the City Cemetery at Forest Gate. London buries them because London has killed them.

CHAPTER 38

Clubbing

On the unhappy night of his drunkenness William Hickey was returning from a drinking club at the Red House. “Clubbing” is first used as a term in the seventeenth century; in July 1660, Pepys wrote that “We went to Wood’s, our old house, for clubbing.” But it was in the succeeding century that a variety of clubs emerged for a variety of members. Addison made the characteristic point that “Man is a sociable animal and we take all occasions and pretences of forming ourselves into those little nocturnal assemblies which are commonly known as clubs.” A club was not very different from a gang, however, a point which the Spectator made on 12 March 1712 in allusion to “a general History of Clubs” then being written. It is suggested that the compendium ought to include a “Set of Men” who have taken “the Title of The Mohock Club” and who set out to terrorise the streets of the city where citizens are “knocked down, others stabbed, others cut and carbonadoed.” In similar vein the Spectator noticed signs of “club” spirit at the opera where the women had placed themselves in opposite boxes with various “Party-signals” to display their loyalty to either Whig or Tory junta.

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