Yet London seems inured to disaster, and there is no evidence of any discontinuity in the history of this period. It was said that in the city itself there were not enough living to bury the dead but, for those who survived, the disease offered an unparalleled opportunity to thrive and flourish. Many, for example, became prosperous as a result of unexpected inheritance; while, for others, the demand for labour meant that their worth was greater than they had imagined. The late fourteenth century was a time when many families, those of labourers and merchants alike, moved from the neighbouring provinces to the great city in order to make their fortunes. From this period dates the apocryphal history of Dick Whittington, which once more spread the story of London as “Cockaigne” or the realm of gold.

The real Richard Whittington was a member of the mercers’ guild, and London’s history cannot properly be understood without also understanding the nature of those fraternities which combined the regulation of work with religious observances and parish duties. London may not have been recognised as a “city of god” upon the earth, but there were many late medieval theorists who believed that the city itself was the pattern of human existence as well as an emblem of human harmony.

There seem to have been trading guilds since the time of the Saxons, gegildan, later known as “frith guilds,” which also possessed military or defensive functions. In the twelfth century certain traders, such as the bakers and the fishmongers, were allowed to collect their own taxes without being “farmed” or tolled by the royal administration. As part of a complementary, if not directly connected, process we find the various trades congregating in separate areas; the bakers were ensconced in Bread Street, while the fishmongers might be found in Friday Street (good Catholics ate no meat on Fridays).

The growth of craft guilds, located in a specific area, cannot be distinguished from the parish guilds of the same vicinity. The tanners who pursued their noisome craft along the banks of the River Fleet, for example, were accustomed to meet at their own “fraternity” in the Carmelite house in Fleet Street. By the late thirteenth century there were approximately two hundred fraternities in which craft regulation and religious observance were mingled. In the church of St. Stephen, Coleman Street, for example, three fraternities are recorded; while at St. James Garlickhythe there was a “litel companye” of joiners. It was a typically late medieval arrangement, which effectively allowed a self-regulating and self-sustaining community to prosper within the context of a rapidly developing city. In the early fourteenth century was issued a royal charter in which it was formally announced that no man might join a specific craft without the recommendation and security of six other members of that craft; a further stipulation decreed that only members of a craft might be admitted to the freedom of the city. Only citizens, in other words, could belong to a trade guild. In this fashion the guilds acquired enormous economic power within the city. One ordinance, for example, required that ale or beer could be bought only from freemen enfranchised in and inhabiting London.

But in London economic power in turn purchased political and social preeminence so that, in 1351 and again in 1377, the crafts themselves elected the Common Council of the city. It ought to be remembered, also, that there were “many craftes” and “mochel smale poeple” who would simply have met for business in their local church. The religious and social constraints of these trading “mysteries”-the word has no sacred significance, but comes from the French métier-are also implicit within the ordinances of the guilds themselves which emphasised the importance of honesty and good reputation. The rules of the fraternity of St. Anne at St. Laurence Jewry, for example, demanded that “yif any of the company be of wikked fame of his body and take othere wyues than his owene or yif he be a sengle man and be holde a comone lechour or contecour or rebell of his tonge” then he is to be admonished. After three such warnings, if unavailing, he is to be expelled so that “godemen of this companye ne be nat sclaundered bi cause of hym.”

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