“And the cheapest way in the end. Are you short of funds, Vincent?”
“Thank you, Cousin Mauve. I can get along.”
He did not think it wise to become a financial burden on Mauve. He had just a franc left in his pocket, enough to eat on for a day, but he wanted Mauve to give freely of his instruction; money was not really important.
Mauve spent an hour showing him how to daub in water-colours, and how to wash out again. Vincent made rather a mess of things.
“Don’t let that disturb you,” said Mauve cheerfully. “You will spoil at least ten drawings before you come to handle the brush well. Let me see some of your latest Brabant sketches.”
Vincent brought them out. Mauve was such a master of technique that he could penetrate to the essential weakness of a piece of work in a very few words. He never said, “This is wrong,” and then stopped. He always added “Try it this way.” Vincent listened closely, for he knew that Mauve spoke to him just as he would have spoken to himself if he had gone wrong in one of his own canvases.
“You can draw,” said Mauve. “That year with your pencil will be of great value to you. I shouldn’t be surprised to see Tersteeg buying your water-colours in a short time.”
This magnificent consolation did Vincent little good two days later when he had not a centime in his pocket. It was already several days past the first of the month and the hundred francs had not yet arrived from Theo. What could be wrong? Was Theo angry with him? Could it be possible that Theo would go back on him now, at the very moment when he was on the threshold of a career? He found a stamp in his coat pocket; that enabled him to write to his brother and beg him to send on at least a part of the allowance so that he might eat and hire a model occasionally.
For three days he went without a bite of food, working at water-colours at Mauve’s in the morning, sketching in the soup kitchens and third-class waiting rooms in the afternoons, and going either to
The low, dull ache at the pit of his stomach turned his mind back to the Borinage. Was he to be hungry all his life? Was there never to be a moment of comfort or peace for him anywhere?
The next day he swallowed his pride and went to see Tersteeg. Perhaps he could borrow ten francs from the man who supported half the painters of The Hague.
Tersteeg was in Paris on business.
Vincent developed a fever and could no longer hold the pencil. He went to bed. The following day he dragged himself back to the Plaats and found the dealer in. Tersteeg had promised Theo that he would look after Vincent. He lent him twenty-five francs.
“I have been meaning to look in at your studio for some time, Vincent,” he said. “I shall drop around shortly.”
It was all Vincent could do to answer politely. He wanted to get away and eat. He had thought on his way to Goupils, “If only I can get some money, I will be all right again.” But now that he had the money he was more miserable than ever. He felt utterly and forlornly alone.
“Dinner will cure all that,” he said to himself.
Food removed the pain in his stomach but not the pain of aloneness that lodged in some intangible spot within him. He bought some cheap tobacco, went home, stretched out on the bed and smoked his pipe. The hunger for Kay came back to him with terrific force. He felt so desperately miserable he could not breathe. He jumped up from the bed, opened the window and stuck his head out into the snow covered January night. He thought of the Reverend Stricker. A chill ran through him, as though he had been leaning too long against the cold stone wall of a church. He closed the window, snatched up his hat and coat, and ran out to a wine café that he had seen in front of the Ryn station.
2
THE WINE CAFÉ had an oil lamp hanging at the entrance and another over the bar. The middle of the shop was in semi-darkness. There were a few benches against the wall with mottled, stone topped tables before them. It was a workingman’s shop with faded walls and a cement floor; a place of refuge rather than joy.
Vincent sat down at one of the tables. He leaned his back against the wall wearily. It was not so bad when he was working, when there was money for food and models. But to whom could he turn for simple companionship, for a casual and friendly word about the time of day? Mauve was his master, Tersteeg a busy and important dealer, De Bock a wealthy man of society. Perhaps a glass of wine would help him over the bad spot. Tomorrow he would be able to work, and things would look better.