And now the guardsmen are fighting back. When the riot first broke, the police, on the whole, acted with restraint. They moved off, trying to contain the disturbance. Likewise, the federal troops, the paratroopers of the 82nd Airborne and 101st, are battle-hardened veterans who know to use appropriate force. But the National Guard is a different story. Weekend warriors, they have been called from their homes into sudden battle. They are inexperienced, scared. They move through the streets, blasting away at anything they see. Sometimes they drive tanks right up onto front lawns. They drive onto people’s porches and crash through the walls. The tank in front of the Zebra Room has stopped momentarily. Ten or so troops surround it, taking aim at a sniper on the fourth floor of the Beaumont Hotel. The sniper fires; the National Guardsmen fire back, and the man drops, his legs tangling on the fire escape. Directly thereafter, another light flashes across the street. Milton looks up to see Morrison in his living room, lighting a cigarette. Lighting a Parliament with the zebra-striped matches. “No!” Milton shouts. “No!” . . . And Morrison, if he hears, just thinks it’s another diatribe against smoking, but let’s face it, he doesn’t hear. He only lights his cigarette and, two seconds later, a bullet rips through the front of his skull and he crumples in a heap. And then the soldiers move on.
The street is empty again, silent. The machine guns and tanks begin ripping up the next block, or the block after that. Milton stands at the front door, looking across at the empty window where Morrison had stood. And the realization comes over him that the restaurant is safe. The soldiers have come and gone. The riot is over . . .
. . . Except that now someone else is advancing along the street. As the tanks disappear down Pingree, a new figure is approaching from the other direction. Somebody who lives in the neighborhood is rounding the corner and heading for the Zebra Room . . .
. . . following the line of tanks, I am no longer thinking about showing up my brother. The outbreak of so much shooting has taken me completely by surprise. I have looked through my father’s World War II scrapbook many times; I have seen Vietnam on television; I have ingested countless movies about Ancient Rome or the battles of the Middle Ages. But none of it has prepared me for warfare in my own hometown. The street we are moving down is lined with leafy elms. Cars are parked at the curb. We pass lawns and porch furniture, bird feeders and birdbaths. As I look up at the canopy of elms, the sky is just beginning to grow light. Birds move among the branches, and squirrels, too. A kite is stuck up in one tree. Over a limb of another, someone’s tennis shoes dangle with the laces knotted. Directly below these sneakers, I see a street sign. It is full of bullet holes, but I manage to read it: Pingree. All of a sudden I recognize where I am. There is Value Meats! And New Yorker Clothes. I am so happy to see them that for a moment I don’t register that both places are on fire. Letting the tanks get away, I ride up a driveway and stop behind a tree. I get off my bike and peek across the street at the diner. The zebra head sign is still intact. The restaurant is not burning. At that moment, however, the figure that has been approaching the Zebra Room enters my field of vision. From thirty yards away I see him lift a bottle in his hand. He lights the rag hanging from the bottle’s mouth and with a not terribly good arm flings the Molotov cocktail through the front window of the Zebra Room. And as flames erupt within the diner, the arsonist shouts in an ecstatic voice:
“
I saw him only from the back. It was not yet fully light. Smoke rose from the adjacent burning buildings. Still, in the firelight, I thought I recognized the black beret of my friend Marius Wyxze-wixard Challouehliczilczese Grimes before the figure ran off.
“
