Нас всех тошнит полностью

Carter, Alexandra. Rethinking dance history: a reader. Routledge, 2004.

‘Sensuality and Sexuality’. Journal of Theatre and Performing Arts Vol.9, No.1, 2015.

Reinsone S, Reinsone, Guna Zeltiņa with Sanita. Text in Contemporary Theatre: The Baltics within the World Experience.

Legacy of Opera: Reading Music Theatre as Experience and Performance, edited by Dominic Symonds, and Pamela Karantonis, Editions Rodopi, 2013

Salzman E, Desi T. The New Music Theater: Seeing the Voice, Hearing the Body. New York: Oxford University Press; 2008.

Manuel, P. Theatre Without Actors: Rehearsing New Modes of co-Presence, Utrecht University Repository, 2017.

Тексты

Lehman, Hans-Thies Dramatic and Post-dramatic Theatre: Ten Years After / Critical Stages, 2015 – Issue № 11 – 150 pp.

Sidiropoulou, Avra The theatre of the director-auteur: text, form and authorship, 2009.

Quinn, Bernadette Arts Festivals and the City, 2005 – urban studies, 42. 927–943 pp.

Being Contemporary – PAJ: A Journal of Performance and Art, Vol. 34, No. 1 (JANUARY 2012), pp. 93–110.

Bell J. Can Theatre Change Lives and Impact Underserved Communities? Theatre Survey. 2016;57(3): 441–51.

Auslander, Philip. “Digital Liveness: A Historico-Philosophical Perspective.” PAJ: A Journal of Performance and Art, vol. 34, no. 3, 2012, pp. 3–11.

Hauptfleisch, T. Eventifying Identity: Festivals in South Africa and the Search for Cultural Identity. New Theatre Quarterly, 22(2), 181–198, 2006.

Sauter, W. Introduction: Festival Culture in Global Perspective. Theatre Research International, 30(3), 237–239, 2005.

Négrier, Emmanuel Festivalisation: Patterns and Limits, 2014.

Rumens, Nick and Broomfield, John Gay men in the performing arts: Performing sexualities within ‘gay-friendly’ work contexts, 2014.

Goebbels, Heiner, and Stathis Gourgouris. “Performance as Composition”. PAJ: A Journal of Performance and Art, vol. 26, no. 3, 2004, pp. 1–16.

Rapi, N. Hide and Seek: The Search for a Lesbian Theatre Aesthetic. New Theatre Quarterly, 9(34), 147–158, 1993.

Burt, Ramsay. “History, Memory, and the Virtual in Current European Dance Practice”. Dance Chronicle, vol. 32, no. 3, 2009, pp. 442–467.

Wehle, Philippa. “A History of the Avignon Festival”. The Drama Review: TDR, vol. 28, no. 1, 1984, pp. 52–61.

Werry M, Schmidt B. Immersion and the spectator. Theatre Journal. 2014; 66(3): 467.

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Wesemann, Arnd, and Marta Ulvaeus. “Jan Fabre: Belgian Theatre Magician”. TDR (1988-), vol. 41, no. 4, 1997, pp. 41–62.

Graham K. In the Shadow of a Dancer: Light as Dramaturgy in Contemporary Performance. Contemporary Theatre Review. 2018; 28(2): 196–209.

Hübner, Falk. Entering The Stage: Musician as Performers in Contemporary Music Theatre. New Sound, 36/II, 2010.

Irmer, Thomas. “A Search for New Realities: Documentary Theatre in Germany”. TDR (1988-), vol. 50, no. 3, 2006, pp. 16–28.

White, G. On Immersive Theatre. Theatre Research International, 37(3), 221–235, 2012.

Causey M. Postdigital Performance. Theatre Journal. 2016; 68(3): 427–41.

Sizemore-Barber A. A Queer Transition: Whiteness in the Prismatic, Post-Apartheid Drag Performances of Pieter-Dirk Uys and Steven Cohen. Theatre Journal. 2016; 68(2): 191–211.

Hillman, R. (Re)constructing Political Theatre: Discursive and Practical Frameworks for Theatre as an Agent for Change. New Theatre Quarterly, 31(4), 380–396, 2015.

Tyszka, J. (1997). The School of Being Together: Festivals as National Therapy during the Polish ‘Period of Transition’. New Theatre Quarterly, 13(50), 171–182.

Schechner, Richard. “The Conservative Avant-Garde”. New Literary History, vol. 41, no. 4, 2010, pp. 895–913.

Wandor, Michelene. “The Impact of Feminism on the Theatre”. Feminist Review, no. 18, 1984, pp. 76–92.

Parker-Starbuck, Jennifer. “THE SPECTATORIAL BODY IN MULTIMEDIA PERFORMANCE”. PAJ: A Journal of Performance and Art, vol. 33, no. 3, 2011, pp. 60–71.

Sabino Da Costa, Felisberto & Pereira, Ipojucan & De, Cristiane & Martins, Fátima & Kurtz, Winston. Views on Absence/Presence: theater and technology. ARJ – Art Research Journal. 3. 80–91, 2016.