He doesn’t go home at the weekends anymore because their friend Sophie got him a new job in her dad’s restaurant. Connell just sits in an upstairs office at the weekends answering emails and writing bookings down in a big leather appointment book. Sometimes minor celebrities call in, like people from RTÉ and that kind of thing, but most weeknights the place is dead. It’s obvious to Connell that the business is haemorrhaging money and will have to close down, but the job was so easy to come by that he can’t work up any real anxiety about this prospect. If and when he’s out of work, one of Marianne’s other rich friends will just come up with another job for him to do. Rich people look out for each other, and being Marianne’s best friend and suspected sexual partner has elevated Connell to the status of rich-adjacent: someone for whom surprise birthday parties are thrown and cushy jobs are procured out of nowhere.
Before term ended he had to give a class presentation on the
What about you, Connell? says Peggy.
He has not been listening, and all he can say in response is: What?
Tempted by the idea of multiple partners? she says.
He looks at her. She has an arch expression on her face.
Uh, he says. I don’t know. What do you mean?
Do you not fantasise about having your own harem? says Peggy. I thought that was a universal thing for men.
Oh, right. No, not really.
Maybe just two, then, Peggy says.
Two what, two women?
Peggy looks at Marianne and makes a mischievous kind of giggling noise. Marianne sips her water calmly.
We can if you want to, says Peggy.
Wait, sorry, Connell says. We can what?
Well, whatever you call it, she says. A threesome or whatever.
Oh, he says. And he laughs at his own stupidity. Right, he says. Right, sorry. He folds the label over again, not knowing what else to say. I missed that, he adds. He can’t do it. He’s not indecisive on the question of whether he’d like to do it or not, he actually can’t do it. For some reason, and he can’t explain it to himself, he thinks maybe he could fuck Peggy in front of Marianne, although it would be awkward, and not necessarily enjoyable. But he could not, he’s immediately certain, ever do anything to Marianne with Peggy watching, or any of her friends watching, or anyone at all. He feels shameful and confused even to think about it. It’s something he doesn’t understand in himself. For the privacy between himself and Marianne to be invaded by Peggy, or by another person, would destroy something inside him, a part of his selfhood, which doesn’t seem to have a name and which he has never tried to identify before. He folds the damp beer label up one more time so it’s very small and tightly folded now. Hm, he says.
Oh no, says Marianne. I’m much too self-conscious. I’d die.
Peggy says: Really? She says this in a pleasant, interested tone of voice, like she’s just as happy discussing Marianne’s self-consciousness as she would be engaging in group sex. Connell tries not to display any outward relief.
I have all kinds of hang-ups, says Marianne. Very neurotic.
Peggy compliments Marianne’s appearance in a routine, effeminate way and asks what her hang-ups are about.
Marianne pinches her lower lip and then says: Well, I don’t feel lovable. I think I have an unlovable sort of … I have a coldness about me, I’m difficult to like. She gestures one of her long, thin hands in the air, like she’s only approximating what she means rather than really nailing it.
I don’t believe that, says Peggy. Is she cold with you?
Connell coughs and says: No.
She and Marianne continue talking and he rolls the folded label between his fingers, feeling anxious.
*