Mulvey L. 2003. Far From Heaven // Sight and Sound. Vol. 13. No. 3 (NS). P. 40–41.
Munt S. 1992. «Somewhere Over the Rainbow…»: Postmodernism and the Fiction of Sarah Schulman // New Lesbian Criticism: Literary and Cultural Readings / S. Munt (ed.). Hemel Hempstead: Harvester. P. 33–50.
Murchison G. 2000. «Dean of Afro-American Composers» or «Harlem Renaissance Man»: The New Negro and the Musical Poetics of William Grant Still // Smith C. P. William Grant Still: A Study in Contradictions. Berkeley: University of California Press. P. 39–65.
Murphet J. 1998. Film Noir and the Racial Unconscious // Screen. Vol. 39. No. 1. P. 22–35.
Murray G. 2003. The Last Place in the World… A Review of Far From Heaven. Available online at: .
Musser C. 1990. The Travel Genre in 1903–1904: Moving Towards Fictional Narrative // Early Cinema: Space, Frame, Narrative / T. Elsaesser, A. Barker (eds). L.: British Film Institute. P. 123–132.
Musser C. 1991. Before the Nickelodeon: Edwin S. Porter and the Edison Manufacturing Company Berkeley. University of California Press.
Naficy H. 2001. An Accented Cinema: Exilic and Diasporic Filmmaking. Princeton: Princeton University Press.
Naremore J. 1996 [1978]. On Citizen Kane // Perspectives on Citizen Kane / R. Gottesman (ed.). N. Y.: G. K. Hall. P. 268–294. (Extracted from The Magic World of Orson Welles. N. Y.: Oxford University Press.)
Naremore J. 1998. More Than Night: Film Noir in Its Contexts. Berkeley: University of California Press.
Naremore J. (ed.). 2000a. Film Adaptation. L.: Athlone Press.
Naremore J. 2000b. Introduction: Film and the Reign of Adaptation // Film Adaptation. L.: Athlone Press. P. 1–16.
Neale S. 1990. Questions of Genre // Screen. Vol. 31. No. 1. P. 45–66.
Neale S. 2000. Genre and Hollywood. L.: Routledge.
Neale S. (ed.). 2002. Genre and Contemporary Hollywood. L.: British Film Institute.
Nelson R. J. 1958. The Play within a Play: The Dramatist’s Conception of His Art: Shakespeare to Anouilh. New Haven: Yale University Press.
Neubauer J. 1997. Uncanny Pastiche: A. S. Byatt’s Possession // Parodia, Pastiche, Mimetismo / P. Mildonian (ed.). Rome: Bulzoni. P. 383–392.
Nichols B. 1981. Ideology and the Image. Bloomington: Indiana University Press.
Nieland J. J. 1999. Race-ing Noir and Re-placing History: The Mulatta and Memory in One False Move and Devil in a Blue Dress // The Velvet Light Trap. No. 43. P. 63–77.
O’Brien C. 1996. Film Noir in France: Before the Liberation // Iris. No. 21. P. 7–20.
OED (Oxford English Dictionary). 1989. Oxford: Clarendon Press.
Oliver K., Trigo B. 2003. Noir Anxiety. Minneapolis: University of Minnesota Press.
Orr J., Ostrowski E. (eds). 2003. The Cinema of Andrzej Wajda: The Art of Irony and Defiance. L.: Wallflower.
Parkinson M., Jeavons C. 1972. A Pictorial History of the Western. L.: Hamlyn.
Pascal R. 1977. The Dual Voice: Free Indirect Speech and its Functioning in the Nineteenth Century European Novel. Manchester: Manchester University Press.
Pearce L. 1994. Reading Dialogics. L.: Edward Arnold.
Pearsall D. 2003. Forging Truth in Medieval England // Cultures of Forgery: Making Nations, Making Selves / J. Ryan, A. Thomas (eds). N. Y.: Routledge. P. 3–14.
Perkins V. 1996. Johnny Guitar // The Movie Book of the Western / I. Cameron, D. Pye (eds). L.: Studio Vista. P. 221–228.
Perri C. 1978. On Alluding // Poetics. No. 7. P. 289–307.
Peterson J. 1998. The Competing Tunes of Johnny Guitar: Liberalism, Sexuality, Masquerade // The Western Reader / J. Kitses, G. Rickman (eds). N. Y.: Limelight Editions. P. 321–339.
Petric V. 1984. Esther Shub: Film as a Historical Discourse // ‘Show Us Life’: Toward a History and Aesthetics of the Committed Documentary / T. Waugh (ed.). Metuchen, NJ: Scarecrow Press.
Pfister M. 1991. How Postmodern is Intertextuality? // Intertextuality / H. Plett (ed.). Berlin: De Gruyter. P. 207–224.
Pidduck J. 2003. After 1980: Margins and Mainstreams // Now You See It: Studies on Lesbian and Gay Film (sec. ed.) / R. Dyer, J. Pidduck. L.: Routledge. P. 265–294.
Place J. A. 1998 [1978]. Women in Film Noir // Women in Film Noir (rev. ed.) / E. A. Kaplan (ed.). L.: British Film Institute. P. 47–68.
Placksin S. 1985 [1982]. Jazzwomen: 1900 to the Present, Their Words, Lives and Music. L.: Pluto. [American Women in Jazz. N. Y.: Wideview Books.]
Plantinga C. R. 1997. Rhetoric and Representation in Nonfiction Film. Cambridge: Cambridge University Press.
Plett H. (ed.). 1991. Intertextuality. Berlin: De Gruyter.
Pollard L. 2004. Even Better than the Real Thing // The Guardian (Review). 30 January 2004. P. 8–9.
