A form falls past her. Jimmy drops from the branch onto his mother’s head. Julie springs off the ladder to the ground and lands in a confusion of bodies. Jimmy is sitting on his mother’s chest and, with his eyes closed, he slaps wildly at her face. The woman drags her dark angel wings through the leaves, frantically touching the ground beneath her.
Julie drives in the stake. It rides a groove of tongue and drips to a point through the base of Mom’s skull. Like a canoe gliding onto sand it rests in the fresh opening behind her, followed by a wake of lake blood. The woman shudders softly under her children and closes her perspiring body with an invisible sheen of pearls. Dead.
The woods around Lake Scugog are not a jungle. Dragons do not stalk deer up and down black hillsides. Siberian tigers do not sulk over the torn body of a villager. There are no monsoons, no undiscovered species of spider, no diamond mines. There is a snake, however, hanging, quite contrary to its known behavior, high in the top of a tree. This snake, a common garter snake about twenty-six inches long, has coiled the length of its body around the thin, bending tip of a Birch. The snake holds its strong neck and powerful jaws out away from the tree. Its tongue oscillates in the sun like a skipping rope. At a dizzy distance of fifty-five feet below is the body of a woman nailed to the ground through her mouth. Beside her is her husband: still alive, though insensible. His only movement is in his hands. They repeat a broken tap at the ground beneath him. A ceaseless investigation that will go on for days. The snake, whose eyesight is poor, cannot see these minute twitches; its tongue, however, touches a picture so complex that something closer to the future than the present shimmers on its fork. Two children run into the woods along separate tapered paths and, when the tongue slips back to refresh itself against the cool bones of the snake’s mouth, they disappear.
15
Greg can see Grant at his desk. Steve and his girlfriend are standing on either side of him. To Greg they look like a family. Grant flips the tip of a pen at the girl. She looks across to Steve, who shrugs. She looks back and nods seriously. Grant writes in a pad, tears off the sheet, and hands it to Steve without taking his eyes off the girl. Steve folds the paper and tucks it in his shirt pocket. He reaches across and takes his girlfriend’s hand. She exhales visibly and follows Steve around Grant’s desk. They walk directly toward Greg. Greg jumps.
“Greg?”
Greg jumps a second time. Grant is touching his elbow, drawing him through the brightly lit office to his desk.
“You alright there, buddy?”
Greg is momentarily confused by the word
“Yeah. Yeah. I’m OK.”
Grant sits Greg down and leans against the edge of an adjacent desk.
“OK. OK. Good. I’ve got a lot of things for us to cover over the next couple of days. But I gotta ask you something first.”
Greg touches his forehead.
“OK. I wanna know, Greg, if anything that’s happened here since you started is, uh, freaking you out.”
Greg responds “No,” rapidly, twice, more to the idea of being freaked out than anything else.
“Good. Good. OK. Before we go on do you have anything you want to ask me?”
Greg feels a light ice cover his perspiring face as an air-conditioned draft passes over him. Question. He suddenly remembers that he does have a question.
“Yeah. Are you gay?”
Grant coughs into a fist and looks away before answering.
“Gay? Uh, you mean because of yesterday?”
Greg feels a curl bounce off his cheek as he nods. He leaves it there to appear innocent, adorable.
“Well, no. I’m not. In fact, I think I’m the only straight person in this newsroom.”
Greg looks at a tall blonde woman striding across to the desk of a familiar sportscaster who is busy clipping a microphone to his lapel.
Grant glides down into his chair and huddles under a desk lamp.
“In fact, I think fuckin’ a fella is sometimes about the most heterosexual thing a young man can do.”