If a ghost it is, it’s a peculiarly inquisitive one, and pauses at the first landing to test the air. Here, as always, the doors hang open, and while the rooms are empty, even a spectre would have no trouble spotting which was Roderick Ho’s room; which Marcus Longridge and Shirley Dander’s. The latter is tainted with conflicting emotions tonight, as if the recent male occupant has been reflecting that for all his combat experience, he basically had his nuts pulled from the fire twice yesterday, both times by people he regards as lightweight. So much for taking control . . . And as for the female, there’s a suggestion that her recent physical exertions, satisfying as they were, are perhaps no long-term substitute for intimacy—and as a short-term measure, postpone, rather than obliterate, the need for any other kind of high. But there is a tangible sense of relief here too, that yesterday’s sackings appear to have been reversed; or, at any rate, were not referred to during the lengthy post-mortem of last night’s events. A strange quirk, perhaps, to be relieved by the prospect of remaining among the slow horses, but as every ghost knows, there are few more complicated creatures than the living.
In the former office, meanwhile, a particularly perceptive shade might catch a trace of a fragment of conversation; the words
More stairs now. Onward and upward. On the next landing two more vacant rooms, again heavy with the late presence of their incumbents, one of these being the just-now alluded to Louisa Guy, who is currently sitting on a barstool, and, as usual, is being approached by the usual man with the usual line, though tonight finds herself saying,
Again, the thunder sounds, so near it might be crashing off the roof, and this time is accompanied by, yes, a flash of lightning; a sudden electric burst that fills the uncurtained rooms, and if there were anyone here they would surely be seen now, captured in that flash as by a photograph . . . But there is nothing. Nothing, unless that shadow in the corner is darker, thicker, more substantial, than it should be . . . Unless it moves like a ghost, soundlessly flitting up one last staircase to the uppermost floor, where the rooms are smaller, and closer to heaven . . .