EXCEPT, EXCEPT— how can this be? — it does not last. How long she floats in the velvet black she has no idea. But she knows when it ends. Knows when the dark is torn apart by scorching white pain. Someone is hammering a long nail into the center of her stomach. After the first there is another, then another. Once inside, the nails become scissors, slicing and chopping her innards into pieces small enough to be able to come out of her mouth. It happens so fast that she barely registers the nausea before the stuff is already up in her throat. The force of it sends her reeling so powerfully that if something or someone had not been holding her she would have fallen over. She watches in horror as her insides explode out of her mouth. The shock is almost worse than the pain. The next time the hammer hits, the nail goes through her stomach into the bowels beneath. The sound of her groans and the smell of her own decay are everywhere.
She tries to breathe, to find her way back to the blessed darkness, but when she gets there it isn’t blessed at all. She sees herself suspended, arms and legs dangling uselessly on either side, a spiked pole rammed through her, anus to mouth, like an animal on a spit ready for roasting. And when she looks around she is not alone. There are hundreds, even thousands, like her, figures stretching into the darkness as far as she can see, their bodies eviscerated, roasted, grilled, sliced, and diced into bleeding bits by an army of squat, grinning torturers, black as the night they are born out of. There is flesh and pulp everywhere, and the terrible emptiness of silent screams, each soul locked forever in its own suffering.
“Oh, but we did not sin like this,” she hears herself say. “It was love, not lust, I swear. Bodies singing together, that was all …Oh, Jacopo.” But even as the words form, her offending lips are wrenched open and another stream of bile pours out.
Now as she looks around, instead of devils in the darkness she sees a water rat, sleek wet fur like a black veil around its head, face pale and twitching, teeth drawn, ready to sink into her insides. It looks up at her and smiles.
“Sometimes one must use a poison to cure a poison. Don’t be frightened, Serafina. It will not last forever,” it says, before the fangs go back in and the agony returns.
Farther into eternity, when her guts are on the floor and there is nothing more to lose, she comes far enough out of the pain to open her eyes onto the inside of her cell. She knows it must be her cell from the crucifix on the wall.
She fixes her gaze on it to keep from sliding back into hell. She studies how He hangs there, slumped forward against the nails, ribs pushing out against His skin, each muscle singing in agony. Oh, yes, He understands pain. He knows what it is to be consumed by suffering, the terror and the terrible aloneness of it. Oh, no one should be so alone. She keeps Him in her mind after her eyes close: His bloodied face, His lacerated body. He would be so beautiful were He not in agony. She sees a young man standing tall, hair falling and curling over broad shoulders, the smooth unblemished skin of his chest and the fine, fine face: high forehead, full lips, and clean clear gaze. If one loves him broken, how much would one love him whole? Oh, Jacopo, where were you? A good savior. Such strength, such goodness.
He does not really care for you. You are not worth the trouble you would cause him.
No. No. No. But He cares. Look at Him—oh, yes, He cares. Always. Whatever the trouble, He cares enough to climb up the stairs onto His own cross and hang there in agony for an eternity waiting for her.
“I’m sorry. I am sorry…”
She tries to say the words loud enough for Him to hear but the slicing starts again, and all that is there is the long groan of her own voice.
The darkness returns, changed again. No bodies now but also no velvet. Instead parched stone, hard, unforgiving, stretching up and out all around her, and she must lie on it forever and ever. At least she has no bones. They have been ground up and vomited out or melted in the furnace of her insides. Her limbs are filled with sand, so heavy it means she cannot move at all unless the pain does the moving for her. And everywhere is so dry—no moisture anywhere, only sand. In her body, in her mouth. She cannot swallow. She is so thirsty. So thirsty.
Now someone lifts her head and puts a finger across her lips, moving droplets of water inside her mouth. How it stings! After so much agony it is wonderful to be able to feel such a small, distinct pain. Then there is more water. It dribbles into her mouth, burns down the back of her neck. She chokes. It hurts, but not enough to stop. She takes more, would be greedy if the hand did not gently resist her. Her insides start to groan and heave as it hits, and she feels herself retching, but nothing comes out.
Later—is it days or only hours? — she realizes that the pain has stopped.
