We’d like to suggest an alternative title for this song: “When a Man Becomes Pathologically Obsessed and Sacrifices All Self-Respect and Dignity by Making a Complete Ass of Himself (and Losing the Woman Anyway Because Really, Who Wants a Boyfriend Who Sleeps Out in the Rain Because Someone Told Him To?).”

Similarly, “Every Breath You Take” sits at a respectable number 84 on Rolling Stone’s list of all-time great songs. One of the biggest hits of 1983, the song topped the U.K. charts for a month and the U.S. charts for two. It won Song of the Year, and The Police won that year’s Grammy for Best Pop Performance. To date, the song has logged in over ten million registered air plays on radio stations around the world. Again, we’re assuming you know the words. But have you ever really listened to them? Though often held up as one of the great love songs of all time, “Every Breath You Take” is not about love at all.

Sung from the perspective of a man who’s been rejected by a woman who refuses to acknowledge that she “belongs” to him, he says he’s going to follow her every step, watch her every move, see who she spends the night with, and so on.

This a love song? It should be #1 on Billboard’s ranking of “Crazed & Dangerous Stalker Songs.” Even Sting, who wrote the song after awakening in the middle of the night when the line “every breath you take / every move you make” bubbled up from his subconscious, didn’t realize until later “how sinister [the song] is.” He suggested in an interview that he may have been thinking of George Orwell’s 1984—a novel about surveillance and control—certainly not love.

So is jealousy natural? It depends. Fear is certainly natural, and like any other kind of insecurity, jealousy is an expression of fear. But whether or not someone else’s sex life provokes fear depends on how sex is defined in a given society, relationship, and individual’s personality.

First-born children often feel jealous when a younger sibling is born. Wise parents make a special point of reassuring the child that she’ll always be special, that the baby doesn’t represent any kind of threat to her status, and that there’s plenty of love for everyone. Why is it so easy to believe that a mother’s love isn’t a zero-sum proposition, but that sexual love is a finite resource? Evolutionary biologist Richard Dawkins asks the pertinent question with characteristic elegance: “Is it so very obvious that you can’t love more than one person? We seem to manage it with parental love (parents are reproached if they don’t at least pretend to love all their children equally), love of books, of food, of wine (love of Chateau Margaux does not preclude love of a fine Hock, and we don’t feel unfaithful to the red when we dally with the white), love of composers, poets, holiday beaches, friends ... why is erotic love the one exception that everybody instantly acknowledges without even thinking about it?”14

Why, indeed? How would the prevalence and experience of jealousy be affected in Western societies if the economic dependence trapping most women and their children didn’t exist, leading female sexual access to be a tightly controlled commodity? What if economic security and guilt-free sexual friendships were easily available to almost all men and women, as they are in many of the societies we’ve discussed, as well as among our closest primate cousins? What if no woman had to worry that a ruptured relationship would leave her and her children destitute and vulnerable? What if average guys knew they’d never have to worry about finding someone to love? What if we didn’t all grow up hearing that true love is obsessive and possessive? What if, like the Mosuo, we revered the dignity and autonomy of those we loved? What if, in other words, sex, love, and economic security were as available to us as they were to our ancestors?

If fear is removed from jealousy, what’s left?

Human beings will be happier—not when they cure cancer or get to Mars or eliminate racial prejudice or flush Lake Erie but when they find ways to inhabit primitive communities again. That’s my utopia.

UKRT VONNEGUT, JR.

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