“You should go see a fuckin’
There’s a telephone booth on the corner. Rachel is making a call as people pass by indifferently. The phone receiver in her hand, she inserts a nickel. She listens to the clatter of the dial as it rotates backward with each number. A truck rumbles past the booth as the drone of each ring precedes a dull clack of connection. But Dr. Solomon? He is not available. This is what the woman from his answering service tells her. Can she take a message?
Yes. The Red Angel is not dead. She is alive.
The answering service woman is confused. “I beg your pardon? Could you repeat that, please? The angel who?”
Rachel hangs up. Stares through the glass of the booth. Waiting for her across the street under the lamp of the United States Realty Building is the schoolgirl again. Watching.
Feter Fritz had given her the particulars. The time, the location, all arranged. She takes the Eighth Avenue Independent uptown. Entering Central Park, she feels cold. A deep, shivering chill. She digs out her bottle of Miltown to warm her, but her hands are shaking, and when she attempts to open the bottle, it slips from her grip, spilling the pills in all directions. “Scheisse!” she cries out. She could try to pick them up, kneel down on her hands and knees to retrieve them pill by pill, but that feels too humiliating, so she simply abandons the mess.
Off the Central Drive, there’s a statue called
“Good morning, Bissel,” she hears.
The shock is flooding. It matches the jolt from a frayed electrical plug, a cold pulse of electricity fed into the body, vibrating her bones. It sweeps through the whole of her. But then she simply stares into the still-beautiful face.
***
A transport. It’s raining that day. The day Rashka loses her mother. Two lorries leave for the Grunewald rail station. Rashka is aware of this transport; who is not? But it is not until the gnä’ Fräulein appears that she feels a horror fill her to overflowing.
“I put your feter on the train.”
Confusion.
“The train?”
“To Poland. Your feter. Your feter and your eema both.”
The pain of a thousand needles surges through Rashka’s body. Her eyes burn. Her mouth opens, but no words come. No words at all.
“It’s for your own good, Bissel. Your uncle? Really, he was doomed from the start. Even
“I
“You! How can you
Rashka feels the blood dripping from her nose. Tastes it on her lips.
“Do you think I have taken on the burden of your life for my own well-being? A stupid little fish to keep swimming?
These are the woman’s last words on that day.
The next morning comes, and Rashka is aroused with a kick. “Come, Bissel,” says the gnä’ Fräulein flatly. “Time to earn your keep.”